I spend a lot of time and money buying and reading comics. Most of the time I'm happy with my choices, sometimes not. I'm hoping,that with my reviews on what I've read, I might spare someone else dissapointment. I'll read anything, but I can't afford everything. If there's something you'd like for me to read, let me know. If you take the time to read this, please, take the time to let me know what you think. I may not agree with you, or you may not agree with me. But, so what. That's life.
Saturday, June 28, 2008
Astonishing X-Men - Sketchbook - Marvel
The bad news is the Astonishing X-Men, as published under the creative guidance of Joss Whedon and John Cassaday . . is no more. The good news is, the series will continue, and . . it'll continue under the auspicious creative guidance of Warren Ellis, Simone Bianchi and Salvador Larroca. Is it physically, or humanly, possible for Salvador to be associated with one more project at Marvel right now? The guy seems to have his hands into everything right now. Which, ultimately, is just a huge nod to his talent, but . . he's only human. He is human, right? Anyways this issue focus' mainly on Simone's redesign of the X-Men's costumes. Some of them aren't really changed that much, such as Wolverine, Nightcrawler and even Scott's. While others have gone through a major redesign, such as Colossus, Storm and Dazzler. Also Hanks outfit looks pretty neat. It seems like every time there's a creative change in the X-Men, poor Hank gets more and more bestial looking. Also the other big change is that the X-Men will be leaving Westchester. Finally! They're going to be setting up shop on the West Coast. They'll be taking over a top secret bunker not to far from San Francisco. Hey, maybe we'll see them in San Diego next year. Anyways, they plans for this new home are designed, and explained, by Salvador. As much as I've thoroughly enjoyed this series to date, I have to say that my anticipation for this new direction is much more peaked than I expected. I really can't wait to see where we go from here.
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