X-Men: Divided we Stand #2 - Marvel

This is the second part of this little mini-series. It's an interesting idea, maybe not original, but interesting. Basically, it's set up to show us some of the directions the various Marvel titles are taking in the near-future. I think we're getting some of the "behind the scenes" stuff that we wouldn't get in the regular titles. So, if this were a DVD, this would be the "Special Features" section. In the first story, which ties in to Uncanny, we're seeing Hank at the campus doing a little house-keeping. Basically he's gathering up some of his mementos, plus, I think, he's taking care of some of the information that's strewn about right now because of the Sentinel attack. Information about all the various members of the X-Men, which he wants to make sure doesn't fall, accidentally, in to the wrong hands. Plus he has to say goodbye to a lot of memories. The second story is about Illyanna, who's story is definitely not over. She contemplates getting her soul back, from Belasco, through love rather than the blood-stones. But, when she returns to her friends for support . . obviously, since the mansion is destroyed . . they're all gone. Which just leaves her with the blood-stones. I think this one may be leading in to another mini-series for her. We then see Havok, and his team . . the StarJammers, who've all been captured and are being held miles below the surface of Kr'kn, by his brother Vulcan . . the Emperor. Again, I think this may be heralding another mini-series. Next up is Forge, whom I assume everyone else thinks is dead. But his recent run-in with the whole Mutant Messiah debacle, plus the encounter with Cable, has left him obsessed with Cable's time-travel device. This one also tells the story of how Bishop got his replacement arm, and the devices to put himself on Nathan's trail. We got a little of that story in Cable's book, but not all of the pieces. We also see his plans to make Eagle Plaza even more impenetrable than before. And finally we get a story from the Young X-Men. Nori and Dani have a conversation about their outlook for the future. Dani is a "glass half full" type of person, and Nori . . is the complete opposite. Neither really changes their stance, but I think they both get a little better perspective of how the other looks at things. I think they respect each other even more. For what it was, I thought it was a pretty decent book. It doesn't really answer any questions, but it does give us a few more to think about. For long-time X-Men readers, it probably wasn't necessary. But for the "newbies", I think it's essential. So . . take it for what it is . . information.

Ultimate X-Men #94 - Marvel

I have to say . . this is the best issue of this series that I've read in quite a while. Ok . . that last issue was pretty decent. But . . with Apocalypse involved, it got pretty action packed at the end. Plus it was the Phoenix' coming out party. So, while I didn't particularly like the last story arc . . I did enjoy the last issue. But, honestly, I think this issue is even better than that. There seems to be a Colossus "thing" going on around the Marvel Universe right now. We have a pretty major story-line going on involving him in Uncanny. He just got his own Origin issue. And now we feature him in these pages. This issue starts out taking us all the way back to when he was a kid. But there's an interesting twist in his story. Which is what I like about the Ultimate Universe. They get to throw ideas in which nobody else thought of. Here, the thought is, even though his skin switches to metal . . how does his body bear the weight, literally, of the burden? He's not super-strong . . his skin turns to metal. Which, I'm sure, is a lot heavier that . . well, his skin. So how does he bear the burden? Well, in the Ultimate Universe, he turned to Banshee. That's their version of the Mutant Growth Hormone. And, this wouldn't even have turned up if the X-Men hadn't had a run-in with the Ultimate Alpha-Flight. As it is, they are all taking Banshee, which is why they're so powerful. As the issue ends, it seems that Colossus has put his own team of X-Men together. They consist of Kurt, Rogue, Dazzler and . . I'm not sure who that bird guy is, is it Angel? . . but, Scott is tagging along for the ride also. Ride? Oh yeah, their taking the fight up to Canada to try to retrieve Colossus' lover, Northstar, whom was the whole reason for Alpha-Flights incursion. They wanted him back. Or . . the Canadian Government did . . Dept. H. I love the Ultimate books, and anytime we're introduced to more of our universe's Marvel counter-parts, is even better. I thought Aron E Coileite did a fantastic job with this story. But then, as one of the writers of Heroes, on NBC, I would've expected nothing less. I was also very impressed with Mark Brooks pencils. Like I said, overall, it was a pretty decent book. Finally!

the Amazing Spider-man #560 - Marvel

Ok, of all the villains they've created in their 15 issues so far . . you know, in the 3 a month publishing format . . this Paperdoll, is probably the weakest by far. The only reason I say that is because this girls whole motivation is to defend and help her imaginary lover, Bobby Carr. Basically, she's a stalker. And the worst kind really, because she's got the means to back up her delusions. But, when it comes down to it, it's not really about her anyways. Peter has taken up a new position at the Bugle. He's the resident paparazzi. Or as Bennett called him last time . . " . . our own little ninja paparazzi." . . because of his angles and heights. Anyways, the whole point of this Paperdoll character is to show Peter that there are repercussions from his actions. He thinks that his pictures are harmless, but, everytime he shows this Bobby Carr in a compromising situation, the Paperdoll character shows up to harm the instigator of that action. Since Peter took the pictures, he feels responsible for putting the people that have been hurt in them. I know. It's a leap. But Peter has this overwhelming sense of responsibility, so, in his head, he makes the connections. When it comes down to it, that's the whole reason behind this Paperdoll character. And now, Peter should really worry. He's come across this new girl a couple of times, trying to defend her would be victims, but, honestly, he has no defense against her. And, I think, it's only a matter of time before she realizes it's not the people in the pictures that are the problem, but the person taking them. And when that epiphany hits . . she's coming straight to Peter's door. I like the way they're doing the rotating writers on this book. It keeps the stories fresh while retaining all the important parts of the on-going story-lines. Especially since they all work together on them. Just like the art. I'm not particularly a fan of Marcos Martin, but changing up every 3 issues, keeps the look fresh also. I'm not saying any one is better or worse than the artist before, or after them, but . . it's just nice to see a different perspective. I've liked what they've done with this book in the last couple of months. I'm just curious to see how long they can keep it up.

Batman and the Outsiders #7 - DC

First of all, the thing that impress' me the most about this book is the art. Carlos Rodriguez has really done a phenomenal job with this book so far. I think Bit is helping the overall look with his inks, but, none-the-less, the pages look spectacular. The frame of Rex floating through space was excellent, as was the one of Batgirl crawling through the tunnel. Brilliant perspective. Anyways, Rex went in to space to stop the Jardine space mission, but what he found on the moon? . . he really didn't expect. It a huge space station being run by, what appears to be, zombie-like technicians. But what really gets him is that they're of all races and nationalities. So apparently, whomever is abducting them isn't race or gender specific. Also when he tries to confront them, they all start shouting in this language that he doesn't understand. And they're all using the same language. When he landed, he assumed that they were building a space-station, or rocket, or something. But when he gets shoved out the air-lock and is floating through space, he gets a different perspective. It appears that what they're building is a really big gun. Meanwhile, Batgirl, the only member not captured from their little excursion in to the Jiuquan region, is trying to formulate a plan to free Ollie, Grace and Katana. As this issue ends, Rex has abducted a shuttle and is heading back towards Earth. Our captured members look to be facing a firing squad And Batman and Nightwing have come to talk to Francine and Anissa. But before they can even begin talking about the captured Red OMAC, Batman gets a call from Salah. Batman informs Anissa, "We could use your help Thunder. You wanted a second chance, and we might be the Outsiders last." Chuck Dixon has put together a fantastic story-line here. But then, this is the perfect realm for him to exhibit his writing abilities. No one can handle a cast of characters this big like Chuck can. I was worried when the last series ended, but this is an excellent "next step".

Robin #174 - DC

Say it isn't so? We find out this issue just who it is that's dressing up as the Spoiler. Last issue Robin had to try to get her and Violet out of a sticky situation. Things didn't go exactly as planned, and that rescue has spilled over in to this issue. Robin's concern comes from not wanting to see another hero die for the cause. Even though he doesn't even really know that the Spoiler is a hero . . just yet. He has a knock-down drag-out fight with Violet also over a disagreement in philosophies. Overall, Tim hasn't had to much luck with the ladies of late. Anyways, the point of this issue? Who is the Spoiler? Well . . . I'm not a spoiler, so . . I'm not telling. I'm sure you can read about it somewhere, or . . you can pick up a copy. Suffice it to say that this was a very good issue, with a lot of character development coming from several different angles. Tim's got a lot to think about. I love Chuck Dixon's writing. I'm not going to say that I agree with all of his decisions, but . . I can kinda' see where he's going with this. So we'll just have to ride it out . . for now. I've also been pretty impressed with the artwork of Chris Batista the last couple of issues. He really has a good handle on all of these characters. Robin, alone, is starting to develop a cast of characters around him, almost as large as the Batman's. I'm not going to say Tim is a better Robin than Dick, but, I think Dick is the perfect Nitewing, and Tim is the perfect Robin. I'll leave it at that. Enjoy the series. I am!

Checkmate #26 - DC

This issue is the beginning of a new character, and a new story-line. The character is Chimera. Which is literally defined as - "any fabulous creature composed of incongruous parts", or - "an organism or mass of living cells incorporating diverse genetic patterns". Well . . that's what this guy is, in a nut-shell. He's actually a US soldier that's severely hurt in the battle-field. When they bring him in, they immediately put him in the program to develop the All-Weather Soldier prototype. But, some accidents are made during the process, and what they end up with is so much more than what they expected. " . . the subject is no longer even remotely PFC Adam Sharp. Firstly, his entire memory was erased . . from brain damage sustained in action before we even got to him. His appearance was . . accidentally further modified by the gene splicing itself. Altogether 320 different species were employed. The final results . . did not produce the prototype of the All-Weather soldier . . they produced something else . . tested against dozens of similarly fierce animals . . the subject takes on the aspect of every creature tested . . with ten times the strength and ferocity . . still possessing basic human intelligence, but able to transform physically seemingly at will . . always defeating his foe, always transforming back to his original shape . . we have a valuable new weapon." It seems he's emerged at the perfect time, because something is attacking across the globe. First in Venezuela, the Antarctica and now Beijing. We don't know what it is yet, but we do know that it's huge, fierce and completely oblivious to the human cattle that fall across it's path. Of course the scientist at Checkmate is opting to send in Chimera to deal with it. This issue, I thought, providing an interesting origin for our new character. It'll be interesting to see him in action, and to find out if things go according to plan. Which, you know . . just always happens. Bruce Jones is doing an incredible job with this book, and I'm really enjoying Manuel Garcia's pencils. I've said it before, but this book is so much better than it's previous incarnation. A fantastic effort by all involved.

DC Special: Cyborg #1 - DC

Another fantastic installment in the Teen Titans lineage. Most of the story here we know. Well . . maybe not the specifics, but . . overall . . we've gotten this story eluded to over the years. We've gotten bits and pieces, and have had to finish off the middle parts with our imagination. But this book completes the story for us. We go all the way back to the beginning. The story starts out when Victor was just a gifted youngster. The son of scientists, he was prodded to go after academic achievements rather than collegiate ones. But, he still excelled at both. We also learn of some of the defining moments, and personalities in his development. Right up to when he joined the Teen Titans. We also get some more of the story about his girlfriend, Sarah. Or . . ex-girlfriend. When you moved to the other side of the country, for STAR labs, she started dating a fellow scientist there, Deshaun. But Vic eludes to something that Deshaun is involved in. We don't find out the specifics this issue, but it is enough that Vic thinks he has to interrupt, and stop, their wedding. This story is being brought to us by, Mark Sable's scripts, and Ken Lashley's amazing pencils. This story has some huge potential, I just hope they play it out right. Vic's been one of my favorite Titans for quite a while, so it'll be nice to finally get some of the details of his life . . his life before the Titans. To the creators, all I have to say is . . I hope you do the guy right.

Justice Society of America #15 - DC

Another fantastic issue in this series. But, honestly, this is really only the beginning of the story. With this issue . . . Gog has come to Earth. Apparently he's the last living being of the Third World . . you know, the one before Darkseid's. This issue starts out with pretty much the whole Society taking up arms against a very powerful Magog. I guess he's Gog's disciple. But when he retreats from the battle, he draws the Society with him when he returns to the cave where he worships Gog. It turns out though, the stone statue that Magog uses as an alter, is actually Gog buried within our Earth. In the presence of the Society, the statue comes to life. He calls Magog a blasphemer, and smites him down. After which, he rises form the Earth and offers a greeting . . . "People of Earth. I come in peace." Yeah! That's what they all say. But the newest version of Superman, from the Kingdom Come Earth, knows better. The problem is . . will anyone believe him. Especially when they see what Gog can, and is willing to, do. How do you defeat your enemies without a fight? Offer them their hearts desire. Then when they become complacent . . crush them under your boot-heel. At the end, we get a little preview of upcoming events in this title, over the next year. It looks like it's going to be a pretty busy year for our Justice Society members here. I know I've said it before, but Alex Ross and Geoff Johns are doing an incredible job here. I just can't believe the difference between this book, and the old All-Star Squadron book. It's night and day! Really! Plus I continue to be in awe of Dale Eaglesham's pencils. This is really turning out to be an incredibly strong book. I really can't praise it enough. If you have a chance to pick it up, you really should. You won't regret it. And, like I said, it's really just getting started.

Hellblazer #244 - Vertigo

Again, I am awed by the writing prowess of Andy Diggle. Somehow they need to chain this guy to this book. This is the book that he was made to write. He's perfect for it . . and vice-versa. Last issue we learned about this priest, at the Vatican, that had abused his privilege of this private room. It's the "black-room", and it's supposed to be a place where the priests can do whatever, without the judgement of god or man. Somehow, in his hedonist endeavors he seems to have let loose a succubus in there. He doesn't want anyone else to find out about it, and he doesn't want it to get loose. John finds him and offers his help. Already, in John's influence, he's begun to do things he normally wouldn't. They have occult symbols painted on the door of the room, and John's convinced him to retrieve a text from the Black Library . . . " . . where the forbidden knowledge is hidden." I think you can see where this is going . . the whole she-bang has been a set-up, by John, to play the priest and retrieve the volume that he needed. Ironically . . it's called "the Gospel of Constantine." Basically, he's trying to figure out just how much truth their is to this "Laughing Magician" thing. But beware the answers you seek because, you may not like the answers you get. I'm telling you, Andy just writes the perfect character here. Plus it's an interesting twist to see John looking into his own roots . . as it were. I have a feeling this journey is just getting started. I wasn't overly impressed by Giuseppe Camuncoli's art, but . . it did fit the book. It helped it create, and hold, it's mood.

DC Super Friends #3 - DC

As a kid, I absolutely loved the Super-Friends cartoon. I thought the Wonder-Twins were a little goofy, but, other than that, I liked it. However, at the time, I didn't realize just how simple some of those stories were. Especially the one's near the end of the series. But this title has reminded me of all that. Don't get me wrong, I think the kids would enjoy this title. But personally, I can't find the same enjoyment in it as the of the Titans or Legion books. Pardon me for saying it, but this one really seems "dummied-down". I just couldn't enjoy it. I hate to say it, but this may be the Johnny DC title that I have to drop. You know . . budgets, gas prices, falling IRA values and all of that. I hate to think of my hobby in economic terms, but . . sometimes I have to. I'll go 1 more issue, and then that'll probably be it. For me at least.

Spawn #178 - Image

This issue is a good example of what I call "retro-active continuity". I'm not faulting Image or Todd McFarlane. Everyone's doing it now. Basically, they tell a story from a long time ago . . that nobodies ever heard of until now . . and introduce a character that, until this point, has been completely insignificant. But, since they want to use this character as a current protagonist, they introduce them into the storyline at a time when their involvement would've made more sense. Then, the reasoning is, they've bidden their time until the moment is perfect for them to strike. Voila' . . you have continuity and motive built in to their first appearance. What more could you ask for? Anyways, this issue, we're introduce to a breed of vampire . . well, that's the closest thing that they're to, but they claim they aren't. Anyways, they're supposedly older than the vampire line, but they've stayed hidden all these years so nobody even knows that they exist. Somehow, or by someone, they've been pulled in to this war with Spawn. It appears their bite is more lethal than a normal vampire's so this one, Severin, has been brought back from oblivion with one task in mind . . to bite the Hellspawn. And just as quickly . . he's taken out. From what I understand, from coming attractions, somehow this is going to turn Spawn's symbiont costume against him. I'm not sure how that will diminish him, or reduce his powers, but, I would guess, that's the motive. I'm really glad that David Hine has taken over on the stories in this title. He's been doing a tremendous job. I'm also very impressed with Brian Haberlin's pencils. They're very crisp and clean, and it really brings a whole new look to this book. Can you believe we're approaching #200? That's amazing. Anyways, I thought it was a great issue. It seems to be a spring-board for a new direction. We'll have to wait and see where it takes us.

Superman / Batman #48 - DC

Wow! Again, that's the best way to describe this issue. Wow! And again I was fooled. I really thought that this issue would be the end of the story, but there was so much more to tell, that it flows over in to the next issue. I have to give tremendous credit to Michael Green and Mike Johnson. They are doing an incredible job with this story. They've brought in some interesting ideas . . and some new ones, and have really run with the ball. And Shane Davis? Man 'o man! What can I say? He came to my attention on the Mystery in Space series, but, since then, he's just been exploding across the DC Universe. His is a talent truly to be reckoned with. Some may not like this comparison, but really, seeing his work here is like seeing Jim Lee's work for the first time . . way back when. He really is that good. I also think that he and Matt Banning, on inks, are the perfect team. They compliment each other tremendously. Anyways, in the government bunker, last issue, Superman was attacked by the All-American Boy. He looks like a Kryptonite laced Doomsday. We find out this issue though, that he was actually a normal soldier that underwent some experimentation with Doomsday DNA and that worked by using Kryptonite as a binding agent. Basically, Amanda Waller turned him in to this monster. They rampage across Kansas and pretty much destroy Smallville. As usual, Batman comes to his rescue. He ends up turning some of Amanda's soldiers and they give him some information that help him bring the All-American Boy to his knees. His secret weapon? The boys parents. I really didn't see that one coming. However, when Superman and Batman present Amanda with the evidence to take her down . . yes she folds and accepts the terms of their agreement, but . . she also has a revelation of her own. They're confiscating her Kryptonite and her weapons, but she has to gloat. "Enjoy your Kryptonite. See if any of this is over . . . . oh you spectacularly stupid men . . we didn't make these weapons. We bought them." Upon further investigation, they find that all the weapons are branded with the Lexcorp logo. So, if nothing else, during this little mission of theirs, they've definitely worked their way to the top of the food chain. It should be interesting to see how they handle this little development. This series has proven to be very strong for DC. And with this story arc, it should be even more so. This was an excellent issue.

the Brave and the Bold #13 - DC

After the 12 issue epic that we just finished up with, this was a nice little one shot with Batman and the Flash, Jay Garrick. Also, I think we're just filling in some space until they can get the new creative team on board. I'm not sure who the new writer is going to be . . Mark Waid is on his final stretch here. But the artist is going to be Scott Kolins. Remember how fantastic he was on the Flash book for a while there? I know some people liked his new style, and some people didn't. Personally, I thought it was different enough to be interesting. And after a while, on the Flash, he really made the book his own. Anyways . . . this issue involves the Penguin and T.O.Morrow. It seems that the Penguin has come across some of his old Samuroids. He found them in an old warehouse of the Riddlers. He didn't really know what they were, except that they were robots, so he called up the only guy he could think of for help. Which ends up being a blessing and a curse because Morrow was actually the one that built them. But, in the time since, he's developed a type of nano-tech bacteria. After injecting them, the Samuroids become even more dangerous because, now not only are they lethal, but they also learn and adapt. That's where Jay comes in. The first victim was a friend of his. Together they bring down the impending threat, but the Penguin and Morrow both elude their grasp. Included in this story are a couple interesting pieces of information. First, Jay lectures Bruce on the importance of developing protege's. "We're only as alone in this job as we choose to be. But we're all part of a lineage." Also, when Morrow escapes their grasp, Batman is concerned about how "elusive" he has become. But Jay has a different way of looking at it . . . "Old age? Don't dance around it. Experience makes a man more effective. Not less. Plus, you're allowed to take afternoon naps." I thought it was a nice issue, and, it really held true to the original series. Next issue we see Green Arrow and Deadman. They're heading off to Nanda Parbat. I really enjoy this series. I'm glad it's back.

Tangent: Superman's Reign #3 - DC

I like the idea that we're revisiting the Tangent Universe. I would assume, with the initiation of the new multi-verse, that this would be one of the 52 Earths. I don't know that for sure . . but, that's what I would assume. Although, lately, it seems like we're getting glimpses of some of these Earths only to then turn around and watch them get destroyed. That's what happened on the Utopian world were the Challengers found Ray Palmer. And then in the Lord Havok mini-series, we watched his world ultimately come to it's demise. So, ultimately, this story, really, could go either way. But my vote, for what it's worth, is to keep this world around. These were some fantastic characters when we first saw them, some ten years ago. And this time around, they've put even more thought in to the infrastructure and power-base of this world. It's a lot more involved and evolved than it was the first time around. Also, the first time around, there wasn't an interaction with the regular DC Universe. It was just it's own separate entity that we happened to get a glimpse of. But we've been getting hints, over the last year or so, that somehow, someway, there may be an overlap. Green Lantern's lantern showed up in our world. And the Flash was stuck her for a short period of time. Well, after coming in contact with our Flash and Green Lantern . . basically initiated by Wally, he and John Stewart decide to try to help them get back to their Earth. What they find is a depressed, down-trodden world ruled over by a tyrannical despot . . . . Superman. Obviously not "our" Superman . . but, a Superman none the less. The last couple of issues has really been focused on catching us up on the Tangent Universe, as far as where it stands now. But, on our Earth, Batman, along with Black Canary, Hal Jordan and Black Lightning, have noticed their colleagues disappearance, and are starting to investigate. Which, actually, is just in time because Superman has noticed the intrusion of these "off-worlders". I like these characters, and I like what they're trying to do. I just hope that Dan Jurgens and Jamal Igle can pull it off. It's a 12 issue series, so they have a little room to breathe here. Personally, I think it's worth checking out.

Justice League of America #21 - DC

This issue is the first of out "Sightings" books. From what I understand, the point of that label is so you know when the books have a story that is directly related to the Final Crisis story-line. It's not necessarily that you have to read them to understand what's going on, but it does have a special signifigance to the story. The most interesting part of this story is that the big 3 . . Superman, Batman and Wonder Woman . . have had a special room built in the Hall of Justice, where they can have private meetings. "We're in an inter-dimensional bubble in the hyperspace tunnel between the Hall of Justice in Washington and the Watchtower in Earth orbit." The only other people that know about it are Green Lantern . . " . he personally drew the plans for both structures, and this room." . . and John Henry Irons, who reverse-engineered it from boom tube technology. Anyways, it seems that their first meeting there is to discuss the future of the League. First they discuss the necessity, and the moral ambiguity of the room. And then they discuss the path of the League, without their direct involvement. Their obvious choice for leadership seems to be Black Canary. At least they don't discuss anyone else. They also discuss Vixen's changing powers. And Superman brings up his feeling that they should expand the League's ranks. Or at least add some formal reserves. We also see how Libra, a former JLA villain from a long time ago, is recruiting talent for his new Injustice Society. This issues subject is the Human Flame. A "b-list" villain at best. But he has a special desire to see the Martian Manhunter dead. Libra claims that he can give anyone that joins his little group, their "hearts desire". "It was the Martian Manhunter that took everything away from you. You want power. Power enough to return the favor. Enough power to see the Martian Manhunter dead by your own hands . . . . consider it done." I have to give some props to Dwayne McDuffie. I thought this was a great story. There were some really cool ideas presented here. Also, at first, I was disappointed to not see Ed Benes on the art chores. But, by the end of the book, I thought that Carlos Pacheco had done a more than adequate enough job. He can draw some fantastic action scenes. This book opens up a whole lot of possibilities, and I can't wait to see where we go from here.

Birds of Prey #118 - DC

Despite anything that happens in this issue . . the main thing to take away is . . this is really the first appearance, or mention, of the Dark Side Club. It seems to be a fight-club, of sorts, in Manhattan. It's lead by someone known only as Boss Dark Side. And, somehow, they obtain meta-powered people and get them to fight each other. The issue starts out with a fight between Livewire and Misfit. Apparently Misfit has been their prisoner for about a week now, and is the current 5-time champion. We don't know who else she's fought . . and really, it doesn't matter. Now, from the conversations between the people in the club . . the workers, I guess . . it seems as if these people may actually be some members of the Fourth World . . undercover. None of the characters look like them, but they make comments about Lashina, Steppenwulf, Granny Goodness and . . could Boss Dark Side actually be, Darkseid? I thought they were all dead? And if not, what are they all doing in disguise, in Manhattan, operating an under-ground fight-club? Luckily, one of their most recent abductees is Black Alice. And since she's not as sedated as Misfit, she can use Misfit's powers to help her find out what's going on here. Together they escape, but not before Black Alice finds out, truly, what happens when Misfit tries to transport another living being. Let's just say . . it's not pretty. In the end, Black Alice goes her own way, and Misfit gets back to the Birds, who were really starting to worry about her. Oh yeah! Another piece of startling information. During her excursion around the grounds, Black Alice overheard Granny and their chemist talking. It seems that she's discovered that Misfit and Black Alice are actually blood-relatives. We don't learn the full details yet. They could be cousins . . they could be sisters. What we do know is that there's an awful big mystery going on here. I thought Tony Bedard did a fantastic job with this story . . as usual. And I was equally impressed . . once again . . by Nicola Scott's pencils. I really think she's progressing nicely as an artist, and I love the feel she has for these characters. Oh, and Stephane Roux . . who's been doing the covers . . is equally as impressive. I thought it was a very good issue. And our first foray into the Dark Side Club.

Countdown to Mystery #8 - DC

Overall, I thoroughly enjoyed this book. For a mini-series, it seems like we went through an awful lot of creative changes, at the end. But, that's ok . . it all worked out. In the final installment of the Eclipso story, it seems as if Crispus is finally grasping the full extent of the Spectre's powers. Well . . either that or he's figured out when it's best to be the back-seat driver. He really gave Eclipso a good beating. At the end of last issue, it was looking a little iffy. It seemed as if Crispus, or the Spectre, may have finally been in a situation over their head. Crispus relinquished control over to the Spectre, but during the battle started having visions about what would happen to the Earth should either of them win. Neither side of the coin looked very promising. That's when he decided he needed to talk to Eclipso as a man. Actually both ways . . Crispus, and Bruce Gordon. He got Bruce to see that he was being selfish. "You've got to let go, Bruce! Let go of your need to prove yourself, to show everyone how right you are! Let go!" He does. And, together, they take out Eclipso. In the end it looks as if Bruce and Mona may just be able to work things out. But we've still got 3 possible story-threads here. First of all, where do Bruce and Mona go from here? Secondly, how are the Spectre and Crispus going to work out this control issue that they both seem to have? And finally, the ghost that's been following the Spectre around, William Hanson . . he's still floating around out there. And, it doesn't seem as if he's learned a lesson from all of this. So my guess? He's going to pop up some how, some where. Now . . the Doctor Fate story-line. This one was interesting . . but for a different reason. Maddy has adorned the Helmet of Fate, and finds herself in Negal's realm. Doctor Fate, Kent Nelson, and Inza Fox both seem to be out of commission. Somehow she uses her knowledge of magic . . plus, I'm sure, a little coaxing from the Helmet . . do defeat Negal. But it took the connection of all 3 of them to hold him off. Which ended up being diversion enough that some being from . . Heaven? . . stepped in and blew Negal away. That whole part was a little confusing. They decide that in order for the Helmet to empower Doctor Fate, the 3 of them should stick together. And they stroll off into the sunset to have eggs. Adam Beechen wrote this final chapter of the story. But . . that wasn't the end. As a tribute to Steve Gerber . . who started this story, and recently passed . . there were 3 other endings presented . . each by different writers. By Mark Evanier, Mark Waid and Gail Simone. It doesn't really matter what happened in each, because they were all variations of the same theme. But, the most touching part of the whole thing was little message from Gail at the end. She talks about the legacy that Steve's stories left people . . "It's okay to be odd. Embrace being different. Ignore expectations. Fight when called for, laugh in adversity. Perfection is dull and overrated, and heroism is almost never about hitting people. Sometimes, heroism is about merely staying alive when staying alive seems damn near impossible." Truly . . words to live by.

the Spirit #17 - DC

I don't know why . . I can't really pinpoint it, but . . I have to admit that I actually enjoyed this issue more than any other of the previous ones. It's still written by Sergio Aragones and Mark Evanier. However, they did have a new penciller this issue . . Aluir Amancio. The style is really not that much different, so I really don't think the artist is what changed my mind. However, in this issue, there is a lot more sexual overtone and innuendo. And maybe that's what peaked my interest. I'm not sure. But from this issue, you can tell there's a lot more going on with the Spirit, and Ellen, than we see on the surface. Plus, the Spirit comes out of his shell and makes some forward comments about this insurance adjuster's secretary. I didn't notice this kind of playfulness in any of the other issues. I like it. It adds a little more "adult" humor to the series. I'm still pretty bored with the themes. This issue it's a robbery / murder mystery that happens aboard a cruise ship. It was interesting, but fairly predictable. I still don't completely understand what the draw to this character is. I guess I just don't "get it". However, this issue was actually enjoyable. Unfortunately, with the price of gas being what it is, I do have to start thinking about where I'm going to start saving money from week to week. There may be some books coming out that I may have to drop. It's a sad reality of the times.

Project Superpowers #3 - Dynamite Entertainment

I think this book is fantastic. Alex Ross, Jim Krueger and Carlos Paul are all doing an incredible job here. I really like the way the story is unfolding. There's literally dozens of heroes here, but we're getting introduced to them a few at a time, each issue. We follow the Fighting Yank, the lynch-pin character, along with the Green Lama and the Black Terror back to Shangri-La this issue. It's the Green Lama's home, and it's supposed to be the perfect place . . the hidden place. But, unbeknownst to them, the Black Terror is covered with microscopic tracers, that Mr. Dynamic put there before they left, which has led his army, the American Crusaders, directly to their doorstep. So now they have to fight, not only for their own lives, but to stop Shangri-La from burning to the ground. When I said that Samson returned last issue . . he did, but . . he wasn't in the urn. Back in the final moments of the war, he tried to stop a bomb in the skies over Nagasaki. It exploded, and that's the last he was seen. But now . . he's back . . for some reason. The Yank assumed that he was with the rest of the heroes, but that wasn't the case. His return is a completely different mystery. But the Silver Scarab, the Devil, Hydro, V-Man, Masquerade and Mr. Face all were captured . . and now they're all popping up in different places all over the globe. I think, however, that the reason we're not focusing to much attention on any of these other heroes though, is because I think this whole story revolves around the Fighting Yank, and his attempt to right the wrongs he pushed on to his friends and allies. Plus I really don't think we know the whole story of the urn yet. If it was necessary for him to capture all the heroes in the urn, to save the world, then there must also be a reason why now is the time for all of them to escape. But we haven't got the whole picture yet. At the end of this issue, the Yank collapses on to the ground, with the American Spirit covering him. We're not sure if he's dead, or not. I've thoroughly enjoyed each and every issue of this book. I find it completely entertaining and a brilliant drama. Keep up the good work, guys!

Ultimate Fantastic Four #54 - Marvel

Well, in the aftermath of the whole "cosmic-cube" thing, we've got a few things going on. First, and foremost, is the tension between Reed and Sue. He did some things, while working on the cube, that would be unforgivable in most relationships. Fortunately, or unfortunately, theirs is not a "normal" relationship. As their lives or their experiences are nowhere near "normal" either. So, to distance herself, Sue has gone to Oregon, at the request of Josie, to investigate what looks like a giant egg that's been hatched some 2 miles underground. We don't get a whole lot of details this issue, other than we see that something has followed Sue back to the Baxter Building. Reed has delved back in to his various experiments, and Johnny and Ben are up to some of thier usual shenanigans. On top of all this, SHIELD has sent in a social psychologist, Col. Agatha Harkness, to talk to Doctor Storm. "I'm here to review your program and report back to SHIELD. A report on fitness for purpose. My goal is to optimize this facility to meet the needs of its young assets. I'm sure you'll agree . . . it's time they were taken in hand." She begins sessions with everyone. To say they're suspicious, or aprehensive, would be under-stating it. But, for now, they have to go along with the process. Although when it comes to Johnny, it seems as if Dr. Harkness is taking a special interest. We don't really know if this is real . . or if she's just playing him. Also, in thier abscence, Salem has gotten it's own group of super-heroes . . the Salem Seven. At the end of the issue, when the FF go to investigate a local occurance the Seven are there. "We are the Seven. And this crisis belongs to us." It doesn't look like they're going to get off on the right foot together. Mike Carey writes this series, and Tyler Kirkman is illustrating the current story. Mike, I think, has done a fantastic job with this series. He's really secured this group firmly within the Ultimate Universe. The artists change with every chapter. Tyler isn't one of my favorites, but he definitely has talent. In the long-run, it's nice to have different people's interpretations of the team.

Avengers: Initiative #13 - Marvel

I like this book. I'm not sure why. But I do. I guess . . if I have to credit any one thing, I'd have to say it's because of the stories. I think Christos Gage has a great grasp of this concept and the characters that revolve through it. He makes the stories personal, for the most part. At least this issue is. We see a new batch of recruits coming to camp and this issue really focus' on one in particular, Emery Schaub. He calls himself Boulder, but the first time the Taskmaster sees him, he calls him Butterball. He's the little pudgy guy right in the middle of the picture above. He doesn't really have any super-powers . . at least none that he can exhibit outwardly . . but he is indestructible. And he's a bit of an outcast. He's the kid, we've all known in our lives, that just tries to hard. He's a nice enough kid, but he tries to hard to fit in, he tries to hard to get along with everybody, and he tries to hard to be normal. If he's just be himself, he's probably get along with everybody. But because he tries so hard, he ends up ostracizing himself from them. He actually achieves the exact opposite of his intentions. In the end, a group of merc's come after the Taskmaster . . I guess he has a contract on him for switching sides . . and Emery is brought in to the line of fire. Actually, he's used as a hostage. But, since the staff members know that he can't be hurt, he negates their leverage and the "good-guys" attack. Inadvertently, he's the one that saves the day. So they decide they're just going to send him home, to let him live out his life. Like I said, it was a touching story. The art sucked. But, hey . . it has since the beginning. I thought it would grow on me, but . . no! Luckily, the stories more than make up for it. Like I said, I really do like this book.

Fantastic Four #557 - Marvel

This issue wraps up the Nu-World story-line. But, honestly . . that part of the story really went out with a whimper. I mean . . yes, every hero in the world was involved in trying to take out CAP, but, in the end, all Reed had to do was put on his anti-Galactus suit and take one swing at him. TKO! Well, maybe it wasn't that simple, but . . it sure seemed like it. Alyssa tells Reed that she's put a fail-safe into CAP that he's never allowed to hurt them, under any circumstances. Reed takes the logical leap, and assumes that she probably also added his name to that list. Of course he's right, and when CAP can't attack the anti-Galactus suit, because Reed's in it, he takes the opportunity to take him out with one punch. Sure . . its a very powerful punch, but still. Anyways, I'm sure this isn't the last we've heard of Nu-World. I believe it was started by the US Government, but now, because of the recent threat it unleashed, pretty much every government in the world will be involved. It's the only way they could get them all to agree to cover up the recent indiscretion. So, even though the immediate threat is gone, and Alyssa will once again be leaving Reed's life . . for the time being . . I'm sure this story is really far from over. But . . it's shelved for now. Meanwhile, Johnny still has to deal with his moral dilemma of being in love with a thief and villainess, Psionics. He comes home and finds her laying in his bed . . covered in money. "I've been a naughty girl and robbed another bank. Does that mean you'll have to handcuff me?" And at the end of the issue, there's a new Nanny that's come to interview for the position . . Mrs. Tabitha Deneuve. But unfortunately she's arrived just as someone else comes crashing down the elevator shaft. Ben breaks open the doors to find a beleaguered Doom, saying . . "Find Reed Richards! NOW!" This was another brilliant story in the Mark Millar / Brian Hitch chapter of the Fantastic Four's lives. What more can I say about the talent involved in this book right now . . . it's incredible. The only bad part is . . every chapter leaves you wanting more.

Wolverine Origins #25 - Marvel

As it turns out, the whole purpose of this story . . or rather the involvement of Deadpool taking on a contract to take out Wolverine . . was all a set-up to draw out Daken. When Daken, Wolverine's son, sprung him from the SHIELD facility in Berlin, Logan realized that Daken's hatred of his father was so intense, that he wasn't going to let anybody take him out, permanently, other than himself. So, he had to put himself in a position where it appeared as if that possibility may happen. It's kind of drawn out, and complicated, but basically Logan cashed in a favor that Bucky owed him. He had him pose as the initializer of the contract that set Deadpool on his tail. He then gave Bucky some Carbonadium bullets, the only thing that will slow down the healing factors of these men, and told him he's let him know when he needed him. It wasn't until it actually seemed that Deadpool may be able to perform the deed, that Daken actually showed up. Then Bucky just has to take a sniper position and wait. "There's a . . rifle slug lodged in yer brain. It's made o' Carbonadium. It's gonna keep yer healin' factor from kickin' in. Not forever . . just long enough for me to take you someplace secure. It took almost a hundred years for me to get my own mind back. Now, I'm gonna get yours back, too." From this story, we go in 2 different directions. In September, Deadpool is finally going to get his own series back. Yippee!! And next month, this book will start on the journey of finding out Daken's origin. I think Daniel Way and Steve Dillon are doing a fantastic job with this series. I, for one, actually like it better than the regular Wolverine title. But that's just me. Of course the Simone Bianchi covers don't hurt either.

X-Factor #31 - Marvel

We thought the Arcade thing was done with last issue? Arrgh . . not quite. We still have to deal with the suicide-bomber, Taylor, that's left in Arcade's control room. As a final contingency, if Arcade failed, Taylor would poison himself, and when his heart stopped a series of bombs would go off around Mutanttown. And, on top of that, Arcade has the whole area encased in an electronic barrier so no one can get in or out. This really turns out to be a test of the whole group's fortitude as heroes. Even Rictor, who ends up lucking out, again, saves the day by overloading Arcade's computer systems and brings the barrier crashing down. These events are also going to cause Valerie Cooper to revisit the terms of thier relationship, between SHIELD and X-Factor. "Now I'm going to find Madrox . . and tell him how things are going to be from now on." I also have a feeling this little exercise is going to serve in bringing our malcontent group back together. Recently they've all been feeling a little lost in purpose. Their individual visions of the group, and it's future, are starting to fray, and show it's unraveling around the edges. But, there's nothing like a quick dose of adrenaline, and some acts of heroism, to get everybody back on the same page. This was an interesting side-trip for the group, but I'm glad it's over. I was never really a big fan of any of the Arcade stories. They all just seemed kind of . . hokey, to me. Anyways, we seem to have a regular creative team now . . they've been on board together for more than 2 or 3 issues . . . so I think that Peter David and Pablo Raimondi will, maybe, finally get this group to the greatness that it deserves. Well . . maybe not greatness. But . . consistency would be good. Despite my criticisms, I really do enjoy this book and it's characters. Hopefully, they'll get, at least, a brief respite after this.

Secret Invasion - Fantastic Four #1 - Marvel

I said I was going to stay out of this Secret Invasion thing. And I have, overall . . unless a story pops up in one of my regular monthly issues. But, honestly, I thought this was a regular Fantastic Four book. In the store . . in my pile . . I didn't think anything of it. But then, when I went to read it . . I'm thinking, "Why do they have a different writer on here already?" . . that's when it dawned on me. Oops! I got sucked in to one of the mini-series. Well, since I like the Fantastic Four so much, and . . Barry Kitson is doing the art on this series . . I guess I can't complain to much. I'll just get on my boogie-board and ride the little wave of this mini. From what I understand, this series is all about the Skrull getting the Fantastic Four out of their way. We don't see it this issue, but somehow they've already apprehended Reed. We start out here with a Skrull taking out Sue when she's in Vancouver, alone, at a conference. Their plan then is 3-fold . . first they have to infiltrate the Baxter Building as Sue . . second they have to gain access to Reed's lab and activate the Negative Zone portal . . and finally, "Neutralize threat of Richards' technology by commencing transfer of Baxter Building into Negative Zone. If Self-sacrifice is called for, die with honor." Which she does, and the whole top of the building . . probably the to 8 or so floors . . ends up in one piece in the Negative Zone. Ben, Val and Franklin are out in the living quarters. Johnny followed Sue into the lab when everything started shaking apart. Immediately the building is attacked by some kind of space-bugs, which means Ben has to get the kids to safety. Meanwhile, in the lab, Sue tries to convince Johnny that she did this to protect their family and the she thinks Ben is a Skrull. But I don't think Johnny's quite as dumb as everybody give his credit for. He exposes her ruse, and finds out that the Skrull that's trying to kill them is . . . Lyja? Wasn't she like Johnny's girlfriend at one time. Ok I'll admit that I'm intrigued. I think Roberto Aquirre-Sacasa did a pretty decent job with this story. And, maybe, it's just Barry's interpretation of these Fantastic characters that I like so much, but . . I'll probably stick with it. It seems like it has some interesting possibilities. But still, I'm only doing it because it's the Fantastic Four.

Amazing Spider-man #559 - Marvel

This issue, Spider-man meets someone new again . . Screwball. It's a girl who performs petty larceny, and then as she makes spectacular and often dangerous get-aways, gets everything filmed and then instantly fed to the internet. So we don't really know if she's actually a thief, or just a thrill-seeker. However, she does mention that her skills are because she's a master of Parkour . . and that she has Parkour luck. I know it's spelled different, and sounds a little different, but I think it's a play on Peter's name . . Parker. So . . that's a new mystery that they'll have to look in to . . sooner or later. But the main part of the story this issue is the interesting development in Peter's photographic career. Because of Peter's "crazy angles", Dexter Bennett, the new editor in chief of the DB, has decided to make Peter a Paparazzi. "Photos from every height and vantage point. You're like some wacky photo-ninja. Which makes you perfect for our Paparazzi beat!" And it turns out, because of Peter's abilities, he's actually strangely adept at it. However, during the process of his latest assignment, Bobby Carr, we get a glimpse at the next villain on the map. Currently she's stalking Bobby, and she calls herself Paperdoll. And, really, that's all the infomation that we get on her this issue. Dan Slott handles the writing for this chapter, and Marcos Martin does the art. It's not one of my favorite styles, but, it does fit the current story-line pretty well. So far we haven't been let down by this Brand New Day chapter of Peter's life. We've been introduced to at least one new villain every chapter so far. And some . . are still evolving, as in Freak.

X-Men Legacy #211 - Marvel

I really like the direction that Mike Carey is taking with this book . . and story. Right now were focusing on Charles' recovery. Exodus recently helped him put his mind back together, but . . there's still a lot of holes. Especially in his memory. His decision, much to the chagrin of everybody else, it to go it alone. He believes that it'll be better for him to try to sort out the past with the reconnection of old relationships. And we're not talking about relationships with past or current X-Men. No, we're talking about a lot earlier than that. In one of his meditative states, he goes back to his mother's womb to talk to his twin sister. He's also looking into his own father's past . . Brian Xavier. When Charles was young, 7 or so, his father was a geneticist that worked with Kurt Marko, Irene Adler and a Dr. Milbury. They were geneticists, but they were basically working undercover out of a Nuclear research facility. We don't find out why, this issue. However, when he goes to a mental facility to reconnect with his childhood friend Carter Ryking . . in his memories, he finds out that Dr. Milbury is actually Sinister. The problem is, I don't thing Charles really knows who Sinister is right now. And his friend, Carter, ends up dead the day after Charles' visit. Also, it appears that there is somebody trying to take Charles out . . or at least silence him. Charles foils them twice, the second with the help of Gambit, but he doesn't figure out their purpose or origin. Also in this issue is some trouble at the Hellfire Club in Manhattan. Particularly with Sebastian Shaw. It seems that he's in a pickle, or sorts, because of a machine that his deceased father asked him to keep in his company. It recently activated, somehow, and has taken out 2 employees in the process. And the Juggernaut is having some problems of his own. Somebody, a very powerful telepath . . he thinks even stronger than Charles . . is trying to access his brain. The Amulet of Cyttorak has stopped them, but it still has caused Cain no small amount of pain. And all of this is wrapped in the beautiful art of Scot Eaton. I assume that we've adopted the "Legacy" moniker here because of the influx of X-Men history here. It seems that we're going to be digging in to the very origins of the mutant phenomenon, and how Charles, and now is father, were willing, or unwilling, masons in that endeavor. Well . . whatever . . it's going to be a thoroughly fascinating story-line and I can't wait to see where they go with it.

New Exiles #6 - Marvel

Jason Castro does the art again this issue. Thomas Grummett . . where art thou? Anyways, I was mildly impressed with Jason's style last issue. It showed promise, but it was inconsistent. I'll have to say the same for this issue. However, this issue . . there were fewer panels that really reached out and grabbed me. There were a few moments of brilliance, but overall . . I really think he pales in comparison to Tom's work. Sorry, but that's my opinion. Also the story this issue, I thought, was a little confusing. Well . . maybe not so much confusing as not really having a point to it. Last issue Cat, Sage and Morph were dragged into this medieval world. Or so they thought. When they first get here its all princes and dragons and such. But as they're here longer, they find out there's planes, cell-phones, and even a sprawling metropolis on the other side of the mountain. However, there's still something screwy with the magic here. Cat, it seems, keeps changing forms. My guess is that they're the various interpretations of her across the omniverse. We don't really know, or find out anything. Also, Sage seems to be struggling harder with her alternate personality here. But it does seem, at one time, that during her struggle, Cat also sees her blond haired nemesis. We don't really know for sure. And Morph? Well . . he's just Morph . . or Proteus . . or whatever. But then . . just as the story really gets going . . they're pulled back to the Crystal Palace. When they get there, Sabretooth, Psylocke, Rogue, Mystiq and Gambit are all already back from their mission. Creed was wondering where they all gallivanted off to. But in the end, all they're really worried about is what their next mission is going to be. As an afterward, we see lady Hydra, in the recently visited medieval Earth, recruiting Venger. He's the brute-for-hire that the Queen hired to take out her son's lover, the Dragon. Apparently the whole point of the trip to this world was to introduce us to this character. He's almost a Wolverine type variation. Almost . . but not quite. It's my guess that we haven't seen the last of this Earth . . wherever it is. I thoroughly enjoy Chris Claremont's writing prowess. However, this particular issue leaves us with more questions than answers. And I'm begging, for all our sakes, please get Tom Grummett back on this book. Please!

Wolverine #65 - Marvel

We're starting out this month in the Marvel end of the pool. I'm not sure why . . it just worked out that way. This issue wraps up our Wolverine / Mystique opus. Or maybe it's a cage-match. I guess it all depends on how you look at it. As it turns out, back in 1921 Kansas, it looked like Mystique had set up her little gang with the robbery at the Federal Reserve Bank. When they broke in to the vault, the cops were inside already waiting for them. As it turns out, it was actually Wolverine that had been playing Mystique the whole time. From what I understand, he was working with the cops right from the beginning. However, I don't believe he thought it would end as it did . . the cops killed everyone in the gang . . well, except for Mystique that is. They end up leaving town on the same train. Mystique says she understands, and is willing to let bygones be bygones . . but then she kicks him off the train when he's not looking. Meanwhile, in the present, their current encounter is going to end entirely different. They finally come face to face . . and they begin going at it . . toe to toe. Neither quarter asked or given. Logan carves her up pretty good, but she puts a bullet in his brain. Who do you think is going to recover first? Before Logan collapses in the dirt, Mystique goes on about how they're the same, but he's chosen to take the safe path in life. But when he finally recovers, and she's trying to drag herself away through her own blood and entrails, Logan tosses a pistol by her side. "I'm gonna leave now and walk to the nearest payphone and call one of my friends to come and get me. You, Raven . . you're gonna lie here by yourself and die. No friends. None of your children coming to save you. No one. While you're crawling around out here, slowly bleeding out, you just think about who you are and what you've done with your life. And I'm sure you'll figure out what the pistol's for." I thought it was a pretty cool way to wrap up the story. Jason Aaron did a nice job on this one. I also enjoyed Ron Garney's pencils. Especially in this issue. Overall, it was a great book.

X-Men Origins #1 - One Shot - Marvel

They had some nice talent on this book. Chris Yost writes it, and Trevor Hairsine does the art. I expected it to be kind of like Wolverine Origins, but it really wasn't. In that book, we see how Wolverine's early years relate to other specific events, or origins, in the Marvel mutant-timeline. But this issue . . was really just a plain old origin issue. Which in and of itself was nice. It was nice to see Peter when he was young man, and the relationship he had with his brother, parents and later on . . his sister. But, it was pretty predictable. We see that his first "outing", as a mutant was from the emotional outburst that he had after he had found out that his brother was dead. Then surprisingly, he and his family keep it hidden for years. Even with Moscow having somebody deep undercover watching their every move. Ivan, the guy watching him, is in position for almost 10 years before he has anything to report. But by that time, his brother's best friend, Alexander, had been in contact with Charles a couple of times. In the final years before leaving Russia, Charles kept as close an eye on him as the Russians. It wasn't until he saw that they were actually coming for him, and his family, that he interceded. I really don't think that Peter wouldn't even have gone if he didn't think it was what was best for his family. The issue ends with Peter coming to the school and meeting the X-Men. I imagine this story is set up to give us some of Peter's background since he, with Kurt and Logan, have been captured by the Russians, over in Uncanny. Overall I thought it was a pretty good book. Like I said . . a bit predictable, but still moving . . in the right spots. Take it for what it is and enjoy it.