Supergirl and the Legion of Super-heroes #36 - DC

Well, it looks like this issue is the swan song, for our team-up with Supergirl on this Legion series. But all is not lost, because next issue, Jim Shooter takes over the creative reigns of the Legion. He seems to have a passion for the Legion, and hopefully he'll bring some new ideas to the table with him. I'm really looking forward to seeing what he can do with this group, which has been around for so long. I love these guys. But anyways, this storyline, the Quest for Cosmic Boy, seems to have been necessary for the leaving of Supergirl. Everything that has happened in the last 6 or so issues, has been carefully orchestrated by Brainiac 5. Supergirl was sent to the Gobi Rainforest so that she could purposefully come in contact with Evolvo-lad. She was supposed to see his machine, that he was peering back in to the past with, so she could see all the turmoil that was going on in her current time-line, and she would feel guilty and beg to go back. When Saturn Girl goes back to confront Brainy, she finds him sleeping, so she enters his mind. She discovers what Brainy has known for months, that Dream Girl has been existing in his consciousness. All of this drama has been for a few reasons. Brainy wanted to clear Cosmic Boys name. Plus he was afraid that Mekt and his group of Wanderers were going to cause a threat to Legion hierarchy. In the process he turned Tenzil Kem in to an ally. He also wanted to correct the mistake the Legion made when Drake Burroughs first trying to join. In the process his energies improved Timber Wolf. And finally he felt he had to achieve his true duty to Supergirl. And that was returning her to her own era. So the issue ends with Dream Girl in Brainy's arms, and Lightning Lad as the new leader of the Legion. So the stage has been set, and now Jim Shooter can come in with a clean slate. Well . . . all except for the thing with Cosmic Boy. But we'll see what he has in mind for him. It should be the beginning of a new era for our favorite team of future heroes. Long live the Legion!

Teen Titans #53 - DC

A couple of things I'd like to say about this book . . . first of all . . . look at that beautiful cover. It's by Ale' Garza and Rod Reis. Secondly, this book, with it's current inception, unfortunately hasn't has an artist stick around for to long. When the series first started, Mike McKone was on the pencils, and he was actually on there for about 23 issues. With a few missing in the middle. But after that, I don't think there was anybody that was on board for more than 6 issues. Even Tom Grummett did 4 or 5 issues in the middle of McKone's run. But, no matter who has come on this series, they've consistently stepped up and turned in some of their best work. Right now we have Eddy Barrows on pencils. And I gotta' tell you, when he first came on the scene over in the Atom, I wasn't all that thrilled with his stuff. But, towards the end of his run there, and, really, everything I've seen on this book, I think the guy is improving tremendously. Maybe it goes back to my argument about the right inker / penciller match-up. I don't know. But I'm really impressed with the look of the most recent chapter. Lex Luthor has brought his Titans of tomorrow back to ensure that their future exists. And this time he's brought his entire Titan Army. It seems like right now, their plans are to sow the seeds of doubt in their current selves. There seems to be some kind of turning point that's approaching rapidly, and they want to make sure that they make the right decision. Robin seems to be the pivotal character. But Kid Devil, Blue Beetle and Ravager also seem to play a big part in it. We don't actually make to much progress on our storyline this issue, because the Starro's have come to attack the Earth, after they've been repelled by the Green Lanterns. So they spend most of the issue trying to deal with that invasion. And, by the end of the issue, it looks like Blue Beetle is the only one left standing in his right mind. This is a fantastic book, and one of my all-time favorite hero teams. Sean McKeever is the current scribe, and he hasn't slowed the pace down one bit. If anything, it seems to be in hyper-drive. I enjoy the current story-line, but I'll be happy when it's over so Sean can move on to some character development, and we can see what he's going to be bringing to the table. Titans Together!

the Death of the New Gods #3 - DC

We're getting closer to finding out who is killing all these New Gods. But they're keeping the identity a closely guarded secret. We don't even know if it's a man or a woman. All we see is their feet. Takion come face to face with them, at the Source Wall, shortly before he dies. But all he says is, "YOU?! Of course! I should have known! But why?! . . . . It matter not now! I must . . . ." And then he's killed. But, at the end of the story, we learn the Metron, using his Mobius chair, had rested between the moments, undiscovered, and surveyed the whole scene. So he now knows who the culprit is. He decides that further investigation is required before confrontation can occur. "Myriad questions need be answered. To fully understand our adversary I must back-track on his trail. This will serve the dual purpose of solidly confirming his guilt . . . and aid me in understanding why he has betrayed us." We also see Miracle Man's transformation this issue as he uses the full extent of the anti-life equation to try to force some answers out of Darkseid. But as Darkseid puts it, "Midnight of the New Gods is upon us. Darkseid has come to terms with this inevitability. You would be wise to do the same." Also, on New Genesis, Himon has been elected their new leader. Darkseid is seeking knowledge about an old project called Soul Fire. And on New Genesis Mantis has been reborn. But he's mystified to find he Royal Guard wiped out, to the last man, and "Left me unmolested while I was at my weakest? Why? And who?" This is a fantastic mini-series by Jim Starlin and Matt Banning. The only bad point to the whole thing, is that when all is said and done . . . there will be no more Fourth World. I guess, we're going to have a Fifth World. Whatever that means?! But if Jim Starlin is at the helm of it . . . . it's sure to be genius.

Countdown Presents - Lord Havok and the Extremists #2 - DC

I really like the feel that Frank Tieri gives the story in this book. I think he's doing a fantastic job of introducing us to all of these characters. And, I've been a huge fan of Liam Sharp's for a long time. I am so happy to see him on this series. He's perfect for it. This issue we kind of get the origin of Gorgon. He's actually the result of his own genetic experiments, and his tentacles represent his various personalities. And, of course, he's driven to her current state because of unrequited love. Isn't it always the case? Anyways, this issue we get the story, from the side of the Extremists, about when the Challengers popped in to their universe. They're about to go to war with the United States, and they fear that the Meta Militia will be invading their country at any time. So when these guys pop in, they assume that that's who they are. It isn't until the Barracuda shows up, their undercover op in the Meta Militia, who tells them that it's impossible because he's never seen them before. But at least he told him that before Jason killed him. Off the subject a bit . . . but the insignia for the Meta Militia looks an awful lot like the logo for Miracle Man. You know, that series by Alan Moore. It's not exactly the same, but it's very close. Anyways, then Monarch and his legion show up, and offer Lord Havok a rank in his new Universal army. The issue ends with Havok flatly denying him, and us wondering what the retaliation from Monarch is going to be. We see the Jokester on the cover, but we don't actually see what happens to him. In the Countdown book, he's kind of just disappeared. Anyways, great story, and fantastic art.

Uncle Sam & the Freedom Fighters #3 - DC

At the end of last issue, Phantom Lady committed suicide. Of course, she did have a dependency problem. And, during the fake terrorist attack, she did kill someone. So I guess you could say, she was rightfully ambivalent. But Lester Colt, Doll Man, decides that he's not going to let another human being take their own life. He's been a soldier his whole life. It's one thing when a person dies in battle. When they die for a purpose, or defending a cause. But a selfish, wasteful act like suicide . . . he just can't let it happen. Partly, I think, because he feels a bit guilty about her reaction to recent events. "I should have taken the time to train Phantom Lady how to deal with life off the battlefield . . . . . Dying young isn't romantic . . . it's a waste." We then get Lester's origin. As a soldier he volunteered for the experiment, that Dr. Glenn and his daughter Emma were performing. He was to become the second Doll Man. The first, Darryl Dane, had gone AWOL. But someone broke in to the lab and stole the Doctor's work before it could come to it's true realization, or before Lester's condition could be reversed. We then see a plethora of new meta's coming to the forefront to take the limelight. But really it's marketing propaganda, to try to make the world forget about the Freedom Fighters. We also see that SHADE is running tests on Red Bee, to find out what the extent of her new powers and transformation are. But the man performing the tests is not who he appears to be, and when Jenna squawks about being held against her will, he sedates her and puts her in stasis. But at the end of the book she uses her new antenna to call on a swarm of mechanical bees, who come and break her out. And Uncle Sam and Doll Man jumped head first in to a heap of trouble. The VP was abducted and he was taken to one of the lower levels of the Pentagon. Once there they find a war-zone made up of miniaturized people. In order to find the VP, they have to shrink themselves down and go in to find him. They find that he was taken by an army led by Darryl Dane. Justin Gray and Jimmy Palmiotti do the scripts. And Renato Arlem handles the art chores. Overall I enjoy the book. I'm just not exactly sure where this particular series is heading. But we still have 5 issues to go.

Crime Bible : The Five Lessons of Blood #2 - DC

So, I guess, the first book was about Murder. This, the second, is about lust. And from what I can gather, these are the different tools that the "preachers", if you will, of this religion, use to get other converted. But most of the time it doesn't seem to be a conversion of will or necessity, but rather one of coercion. Such as this one . . Lust. Basically, there's a house set up in Chevy Chase, that's near Washington DC, where a person's every whim is fulfilled. Even the desires that people don't even know exist within them. But, the down side of all of this sedition is that you become the property of the "priests". Once they've given you everything you wanted, now they start to demand payment. Renee has gone in undercover to try to see what exactly is going on. But in order for her to not look suspicious, she has to commit herself to her role. And in doing so, may be selling her own soul. She tries desperately not to give in, but after 8 or 9 visits, with the same woman, she tries to convince herself that she's doing so to save the woman's life. If she doesn't, they'll become overly suspicious. When they finally make a move against one of the Joint Chief's advisers, she's there to "cock-block" them . . as it where. She tries to get the guy to see the error of his ways. She wants him to see that they were only using him. And in the fight she ends up burning the house to the ground. Mother Superior is visibly upset. Did I mention that they passed themselves off as a convent in the beginning? Anyways, she's upset, " . . converts and daughters . . . they've all fled, they're all gone. You allowed this to happen, Brother Flay. You let her do this!". To which Brother Flay responds, "You have lost nothing, Mother Superior. You house will rise again. I didn't stop her . . . to teach a lesson." Well if nothing else, it's an interesting book. And, it's good to see the Question back in action again. It's brought to us by, Greg Rucka and Jesus Saiz.

Jack of Fables #17 - Vertigo

It appears that the last few issues have been leading to this. This issue is part one of the new story-arc, "Americana". Jack and Gary seem to be wandering the country aimlessly. But, in actuality, Jack has had Humpty Dumpty in his briefcase this whole time. His reward for letting him come on their journey with them, Humpty has agreed to lead Jack to a vast fortune. So now their team consists of 4. Jack, Gary, Raven and Humpty. Meanwhile, in Idaho, Miss Hillary, Paul Bunyan and Babe are on the same quest. Although Miss Hillary is the only one, right now, that knows where they're heading. Apparently, a while ago, Mr Revise sealed off any means of entry in to Americana . . . the American Fable land. Raven and Humpty have heard of it, and Humpty knows how to get there. Miss Hillary, who has also heard of it, doesn't know where it's at, but she's using Paul and Babe as a divining rod, or sorts. The closer they get to it, the more the magic will seep through, and the larger her companions will become. They both figure out that they have to be hobo's, and hop a certain train to be led there. Jack and company find the train in New Mexico, but Miss Hillary and her companions find it in Montana. However, when each group jumps in a boxcar, they find out that they're both in the same place. It's the final page of the issue before they all realize that they're on the same trip. What a coinkidink! Right? This issue, as always, is brought to us by the twisted mind of Bill Willingham. It'll be interesting to see where this story goes from here.

Deathblow #8 - WildStorm

Carlos D'Anda is finally back on the pencils this month, but it looks like it may be his swan song, because I think there's only one issue to go. Either that, or they may just start a new story-arc with a new creative team in April or May. But right now, issue #9 is supposed to come out in February, and it's the last issue listed. But with this issue, Michael is finally to the point where he's ready to start asking the hard questions. Everything he thought he came back to turned out to be a lie. And now . . . it's all gone. So all he has left is his training . . . what his purpose in life seems to be . . . . the killing of others. Or more specifically THEM. I'm not sure what the acronym stands for, but it's who THEY are fighting. He tries to save Jump, but it's questionable how effective he was. And the Dino-bot has the Gen-bomb. And we're really not sure what his intentions are yet either. But he definitely seems to be a bit . . . bent, I guess is the best word. So Michael is taking the war to THEM. The questions he's starting to ask are, "Why was I held prisoner for six years? From what I remember, while there, I died . . . 3 times. I died. And then I lived. Why? Or is it how? I need to know . . . or so help me I'm gonna start a war." And as he jumps on the Dino-bot, with guns blazing, the issue concludes. I really like Brian Azzarello's writing style, but, it's always the final chapter of the story before you really start to understand how everything all fits together. So next issue . . . we should have some answers. And they'll come . . . right before the end.

All*Star Batman & Robin the Boy Wonder #8 - DC

All I can say is . . . Wow!! What a great book. Frank Miller and Jim Lee have really taken a hold of this one, and really seem to be having fun with it. I especially like that they seem to be back on a regular schedule now. I really can't over-emphasis how important I feel that is. But anyways, the Jim Lee cover that's pictured at the right, looks 100% better with the finished product. The actual cover still has the red background, but Joker is much more vibrant, and he has this really cool, and colorful, dragon tattooed across his back and down his arm. Unfortunately in this instance, you can't see it. And I gotta say, the variant cover, by Neal Adams . . . . one of my all time favorite artists . . . is really not one of my favorite covers. I get what he's trying to do. He's trying to show how the Batman, and the Joker are connected . . . essentially opposite sides of the same personality. But the construction, and end result, looks a bit . . . muddled to me. Definitely not one of my favorite covers from Neal. It just looks to me like it's rushed. Or maybe not completely thought out. But, that's just my opinion. And really, it's the only complaint I have about this whole book. Batman seems a little less . . . psychotic this issue. He seems a little more in control of himself. And we finally get to expound on the Dick Grayson character a bit. I was beginning to think that he only took him in to keep him secluded in his cave for all this time. But he finally tasks him with the challenge of finding a costume and an identity this issue. And I finally see what I think Batman saw in this character. Dick is someone who's almost as driven and psychotic as he himself. But, the best part about this issue is Batman's interaction with Hal Jordan. He comes to Gotham for some reason, and shines his ring as a beacon in to the sky. He asks Batman, " . . how the heck do you know my name?", to which Batman replies, "I know everything. What do you want?" They do a little verbal volleying, but the crux of their conversation is going to be next issue. And as you can tell from the cover, we get a glimpse of the Joker this issue, but we also get to see Catwoman. Meowww! Anyways, this really is a fantastic book. And, if Grant Morrison wasn't writing the regular title, it would be easily the best Batman book out there. Now, honestly, I think the 2 of them bounce back and forth between my favorite and second favorite. But, with the creators involved with both books, that really is a happy place to be.

Metamorpho #4 - DC

I like this Year One concept . . . the idea of revamping the origins of specific characters and bringing their stories in to the modern times. After all, I'm sure there's some people out there who haven't really seen the actual origins of some of the characters. And considering that some of them have been around since the 60's, or even the 40's or 50's, their stories are beginning to look a bit dated. So I like that they're making them current. I also like that, basically, they're sticking to the true origin. Other than sticking in a few modern references here and there, essentially the stories are pretty much the same. But, on the same token, for someone who has read the stories . . . unfortunately, that makes them kind of boring. There's really no new information in this issue . . . other than this Doc Dread character . . . so you pretty much know what's going to happen. Not that that's necessarily a bad thing, but . . . I'd like to see a few new things put in there. For instance, in this particular story-line, I think that maybe they could've gone a little farther to explain Rex's powers, or even how he could become so adept at them so quickly. They could also go into the story of the Orb of Ra a little bit more, and maybe explain if Ra had these chemical guardians throughout history. Maybe Rex is just the latest in the line. Also they could've given us some more background in to Simon Stagg. He's been such a great evil nemesis throughout the years, but we don't really know much about his history, other than that he's always been an arrogant ass, and rich as hell. Anyways, it seems to me that these minis would be the perfect opportunity, while sticking to the established origin, to still be able to expound on it a bit more. So of the earlier origins were just a little to simple, or convenient. We're in the 21st century now. People want to know the details. They want to know what makes things tick. And they like to see how everything is connected. I really do like the book, but I also feel that Dan Jurgens missed out on a great opportunity here. That's all I'm saying.

Checkmate #20 - DC

With this issue, the "Fall of the Wall" storyline comes to a conclusion. But, it's not what we were led to believe through the last few issue. Obviously, with the title, it means that Amanda is going to be kicked out of CheckMate. But, it doesn't happen the way you expect it to. Amanda, who likens what she's doing to a game of chess, is trying to take out 2 Kings, and a Queen, with one fell swoop. A very aggressive move for anybody. But, while she thinks she's got everything under control, and proceeding along of course of action that she's choreographed, she's actually been played this whole time by those she's trying to overthrow. She was playing straight chess, while they were playing a series of feints. They didn't have the knowledge or proof they needed to definitely take her out, so they distracted her, in another direction, so they could gather it without her knowing. A very risky move. Especially considering their opponent, but . . . it paid off. While she thought that she had all the knowledge and leverage she needed, they were actually leading her down a dead-end path, that left her vulnerable when they decided to blind-side her. So while she planned on taking out the 3 of them, they actually end up booting her and Ambassador Trautmann. They confront her with proof of operation: Salvation Run, her attack on the castle during the Gideon II tests, and that she's actually a meta because she has the OMAC nanites in her bloodstream. She quietly resigns, as long as they keep quiet about Salvation Run. And as she walks away, all she says is "I'm going to remember this." It was a great story, as usual, by Greg Rucka. I also think the Joe Bennett and Jack Jadson did a fantastic job with the art. These 2 really seem to be coming in to their own, as we go from issue to issue. I've said it before, but I really think that this incarnation is 100% better than the first. Very well done.

the Spirit #11 - DC

This issue was actually better that most of the ones so far in this series. Because of the El Morte character, this story was filled mostly with "action-mystery-adventure" . . . . as stated in the title logo . . . so we didn't get as much of the goofiness that seems to be inherent in the Spirit character. I mean . . come on. The guys like-able and all. But . . . he's goofy as hell. He's kind of like the Inspector Clouseau of the comic world. But without the irritating french accent. You know, he seems to solve the crimes, and mysteries, but usually only by dumb luck. And with the help he gets from his cast of characters, that he doesn't really even realize or appreciate. But, that being said, I still love the Pink Panther movies. Just wanted to let you know that. Anyways, this issue, the Spirit takes a more proactive role and seems really determined to thwart El Morte. Of course a lot of that comes from his feelings of guilt. He feel like he and El Morte came back from the dead together, and since he didn't stop him then, that ultimately he's responsible for all the death and carnage that he's caused since. Anyways, it was kind of nice to see the brooding side of him. He tends to be a little to oblivious, and happy-go-lucky, for me . . sometimes. I'm still not convinced that this particular incarnation is doing Will Eisner's creation justice, but . . . it is interesting. And I'll probably continue buying it, if for no other reason, than that the character has been around for so long. Plus, it does have some pretty nice covers sometimes. But this isn't one of them.

Shadowpact #19 - DC

I've liked this book from the beginning, but lately, it actually seems to be getting better. Matt Sturges has been helping Bill Willingham with the scripts the last couple of issues, but, with this issue, it appears that he's taking on the full reigns of the author. And, I have to say, I really enjoyed his first solo outing. With the plethora of characters available to them, from the Oblivion bar, I'm glad to see that they're finally utilizing some of their resources. Zauriel and the Midnight Rider partake in the adventure this issue also. They've been in the last couple. Our team, or part of it, finally decide to try to find Laura. Of course Dr. Gotham's doppelganger initiated it with a mystic note supposedly from her, and an obvious trap. But, they take the chance anyways. It appears that they are overpowered, magically, except that the drama between Gotham and his protege help turn the tide. In the end, they free Laura with little or no damage to themselves. Of course Gotham gets away. We also get a glimpse of our trio trapped in the Nightshade dimension. They were trying to travel through it when Nightshade's powers gave out on her. But now they've found some sort of city, so maybe next issue they'll find some answers as to why they're stuck, and how to get out. We also had a new artist this issue, doing the cover and interiors. Phil Winslade handles all the artistic chores this issue. And, visually, it's a very nice piece of work. My only complaint was that we didn't get to see Blue Devil this issue. But, by looking at the next cover, it appears that will soon be remedied. It's nice to see a "magical" book doing this well.

Ultimate Vision #5 - Marvel

They finally put out the final issue of this title. It only took them a year to do a 5 issue mini . . . . . but . . . it seems like that's been happening a lot on the Marvel schedule lately. I'm really not trying to rag on them . . . it's just . . . there seems to be numerous titles behind schedule right now. From a retailer's perspective, I'm sure it's very aggravating. I know the guy I go to, who is already struggling to keep him market share with the holidays and rising gas prices, would like to keep his regulars coming in . . . well . . . regularly. I'm sure that's easier to do when your favorite titles come out on a consistent basis. I'm not sure that Ultimate Vision is anybodies favorite comic. But, it's a symptom of an already struggling retail sector. And when it's in everybody's best interest to try to make the medium stronger and more marketable, we have to look at all the symptoms. I'm only saying this because I would like to see my guy stay in business. He's a good guy and he treats me fair. I do what I can for him, by giving him my business on a consistent basis . . . but . . . I'm only one person. I'm sure that my purchases don't come close to making a dent in his burgeoning Diamond bill. So I guess what I'd really like to say here is . . . find your favorite shop, or shop owner . . and be loyal to them. It's a two-way street, so make sure it's someone that appreciates your business and treats you right. But, once you find that, give them your business. I don't care if you only buy 1 title a month. The shop-owners are the foundation of this medium. Without them we'd be paying full retail at wherever we could find the books. With no pulls or personalization. Tell me you don't love stopping in and talking to your guy once or twice a week! If you don't . . . then you're going to the wrong shop. Find one that suits you . . . and frequent it. Anyways, stepping down from my soapbox now . . . despite the infrequency in publication, I still enjoyed this book. Of course Brandon Peterson's art helped that a lot. Visually this book was stunning. And, as always, Mike Carey turns in a top-notch story. Vision and Falcon take out the Gah Lak Tus module, and also put a crimp in Dr. Tarleton's plans. But, since he's mostly cyborg now, it's going to be hard to put him truly out of action. And the poor little plastic girl, Dima, made the ultimate sacrifice. But, I don't know if you'd truly call it a sacrifice if she didn't really have a choice. It's what she was made for after all. The only problem now is, the module is in Fury's hands. You just know that's going to blow up in their face. And, because of the damage she sustained, it looks like the Vision is going to be around the Ultimate universe for a little while. She's temporarily grounded. It'll be interesting to see where she pops up. Like I said, despite the scheduling, it really was an enjoyable book.

Wolverine Origins #19 - Marvel

This is another chapter in the story of Wolverine and Captain America, in Africa, during World War II. At this point in the story, it feels like Logan and Bucky are both vying for Cap's approval. Although I think it's for different reasons. Also Bucky, who isn't nearly as childish or naive as he was originally depicted in those war books all those years ago, is on his own agenda. Right now, that is to take out Baron Von Strucker. I think their plan is to take out Hydra before it gets to strong. At this point in history, it really is right at it's beginning formation. Bucky puts himself in a position to do that personally. I like some of the little nuance's that Daniel Way puts in his stories. One is that at this point in time, Bucky actually has a higher clearance level than Fury. Of course Nick is actually only a Sergeant here. It's kind of weird to see him in this diminished role. Obviously he had to go through the ranks to get to where he is now, but he just seems like the type of person that always had that type of power. Also it seems that although Logan and Bucky are following Cap, the two of them actually have clearer plans, or maybe more precise orders. It seems like Cap is reacting more to the situations that he's being put in to. It seems like he's probably been given the overall objective, but not necessarily all the details about the wet-work that is necessary to achieve them. I think at this point, he truly is supposed to be like their shield, and inspiration. The driving force, if you will. I think that Logan, being who he is, knows who Bucky is. He also knows who Cap isn't. He has the deepest respect for him, but he knows he's not a killer. And I think that that's where his anger with Bucky comes from . . . he knows who Bucky is, and that he's using Cap to achieve his goals. But I don't think that Logan realizes that Bucky also has a deep respect for Cap. And really, he's just doing what he's been ordered to do. I'm sure that he would love to do things Caps way, but he also knows that more times than not, the guerrilla tactics are more effective. We also find out, at the end of this issue, that because of Logan's loyalties, that he's going to have to betray his new protege. "Obviously, i didn't kill Cap or Bucky . . . but what I did instead damned 'em both, just the same. An' it didn't do me any favors, either." There's a couple of reasons I like this book so much. First Logan is a great character. And with this series, we're learning and seeing things about him we never knew before. Also, I really enjoy Daniel's stories, and I think this is some of the best work I've seen, ever, from Steve Dillon. But what I really like . . . is that is makes me think this much. Obviously . . from all my dialogue. But, I think, that's a good thing.

X-Men : Emperor Vulcan #3 - Marvel

I like this book. I really do. I'm a huge X-Men fan. But . . . for some reason . . . I find this particular story-line . . . boring! I mean, it's got a lot of neat ideas. It's full of action. The problem is . . . it just doesn't hold my interest. I like the idea that Scott and Alex have had this brother out there that they had no idea of. And it seems, he was actually an X-man before his 2 older brothers. But the team was supposedly killed during their first mission, so everybody all but forgot about them. Actually though, they had been taken by the Shi'ar. And, while in captivity, they killed his mother right in front of him. Which is where his hatred for the Shi'ar comes from. When he resurfaced, a few months ago, retribution was all that he could think of, so he shot out in to space the first chance he got. He actually all but demolished the Shi'ar throne. And having married Deathbird, put himself in the position as the new Shi'ar emperor. But, shortly thereafter, they were attacked by a new threat. The Scy'Ar Tal. Which literally means "death to the Shi'ar". He thought with this whole empire at his command, and his own elite Imperial Guard, there wasn't much he had to worry about. As it turns out, the Scy'Ar Tal are a very determined race. So much so, that they decided they were going to destroy the Shi'ar planet, Feather's Edge. They did so by teleporting a baby star into the planet's orbit, which then shredded the planet and it's entire population. Over two billion people. So now, Vulcan has come to Alex, and the StarJammers for help. It's a reluctant alliance, but they both know that they won't be able to succeed individually. So half of them have gone to protect the M'kraan Crystal, while the other half has gone to find the technology that enabled them to make such a strike. But, what they didn't expect to find is that the Scy'Ar Tal have what essentially is a solar nursery. They've got dozens 0f baby stars all in one place. "They're using it as an ammo depot." Also this issue, Rachel has come face to face with the Chancellor and his guard. They are the one's responsible for destroying the whole Summer's lineage. Rachel is ready to destroy them all where they stand, but Alex reigns her in. "We have to deal with the crystal first. . . . . once we're done . . . we'll make them all pay. Together. Soon." Like I said, it's a pretty decent story. It's to bad that we had to lose Corsair in the process. But, the artwork is good. It's got a fantastic Billy Tan cover. The work on the inside is really growing on me. It's by Paco Diaz Luque. It's the usual star-spanning, universe engulfing, X-Men epic. I just think it's kind of boring.

Heroes for Hire #15 - Marvel

From the cover, I guess, it's pretty obvious that someone is going to die this issue. Personally, I don't think it's to much of a leap to figure out who it's going to be. Our group of would be heroes have escaped the ship, but the feel they have to go back for their captured team-mates, Colleen and Tarantula. They find them locked in a room with some nerve maggots. Their first question is "How many years have we been in here?". When, in actuality, they've only been stuck in there for a few hours. But this really pisses of Shang-Chi. Especially because of the pain and agony that they've inflicted upon Tarantula. Remember . . they kind of have a thing going. So anyways, without regard for his own safety, Shang-Chi jumps back in to the ship to go after the person he feels is responsible . . . Humbug. When he finds him though, Humbug is in so much agony that he begging for a release. He gave himself, body and soul, to the Queen, thinking that being inside the enclave that he may be able to do something to spare his friends. The problem is, his psyche was already so close to the insect world that once transformed there was no turning back. He's even become an incubator for the Queen's eggs. I really don't think he was planning on getting that deep undercover. But now, the human body isn't made for this kind of transformation, and Humbug is just in complete physical and mental agony. Add to that the fact that he's just now realized that he was being used by the alien insect race the whole time . . . and he's done with it. We don't actually see Shang-Chi kill him, but as the issue finishes, we get flashbacks that show their conversation . . . . and eventually Shang-Chi snapping his neck. At the end, Colleen asks Misty, "Why did he have to be Heroes for Hire? Why couldn't we just have been heroes?" It was a decent story by Zeb Wells. And this would be the perfect place to end the series. Unfortunately though, I don't think this is the end. This issues art was done by a stable of talent, Alvin Lee, Leonard Kirk, Ale Garze and James Cordeiro. Overall, I have to say, I really didn't like the look of it. I'm glad that we've wrapped up this alien insect story-line. And I'm glad that we don't have to deal with Humbug anymore. Now, if they would just put this series out of it's agony, all would be good in the world again. Sorry! Just my opinion.

New X-Men #44 - Marvel

This one starts out with a beautiful David Finch cover. He's been doing the covers on this whole story-line. And they are incredible. This issue's interior art is done by Humberto Ramos. And, being a huge fan of his, I'm thrilled to death to see him on this series. Overall, I liked the story. But . . . I think it was a bit forced. Nori, who finds out it's the Purifiers involvement that Scott has been keeping from them, gets a hard-on to go after them, and kick some butt. It doesn't take to much for her to whip up most of the team in to a frenzy. I know the main team is stretched a bit thin right now. But I'd think that they would have a tighter leash on the young one's than this. I mean, the ONE is watching them, and I'm pretty sure when the Professor talked to them, he could get a sense that they might try to go in the wrong direction. However, it appears that no one did anything to stop the over ambitious kids from heading out in to the fray. Jamie is stuck in a coma, while his dupes are out searching the future. We get a glimpse of the one that Layla tagged along with. They're 80 years in the future, in New York City. Our X-Men strike team have also found the location of the Marauders, in the Antarctica, and are ready to attack. Rictor, with the last issue of X-Factor, is already undercover in the Purifiers group. He got in last issue when they faked an altercation between himself and Wolfsbane. He did a pretty good job convincing them. And since he no longer registers as a mutant, they accepted him in to the fold. But in this issue, he finds out that their operation is much bigger than any of them realized. It involves hundreds of churches . . . just in the United States. But their movement is gaining momentum all across the globe. He also finds out that they've garnered the help of Deathstike and her team. But, on a good note, they do not have the infant. They're in search of it just as much as the X-Men. At the end of this issue though, after our team finds out that the baby is not present, they pretty much come to the conclusion with all the same information. The difference is, they find out by seeing Hellion eviscerated on the end of Deathstrike's claws. Wow! What an ending. The next chapter, in X-Men #205, promises a rematch between the X-Men and the Marauders. It also says that we'll finally have an answer to the question, "Who has the baby?"

the Boys #12 - Dynamite Entertainment

What a fantastic series. It's gruesome. And wicked as hell. But, it's all in the scope of the story. It's not gruesome, just to be gruesome. It's gruesome because that is the world that these people live in. The Boys have gone to Russia. They've hooked up with an ex-Soviet "super", because he doesn't like what's being done to mother-Russia. In the vacuum of the absence of the Communist government, a hardcore gangster group has risen. It's known as the ROC. And apparently, right now, it's shots are being called by one Nina Namenko. She's a ball-buster with the best of them, but she looks like an 8 year old girl. It seems that she's gathered up all the stray "supers" in the country, and is holding them all in one place so she can eliminate anyone who doesn't want to play along. I guess she's going to try to make a coup and take over the country. Her motives are a little ambiguous at the moment. All we really know is that she's working with someone from the US. I'm not sure if he's government affiliated or not. If he's not . . . . then he works for the major power-players. They realize that our little group of neophytes are in the country, and they're trying to take them out. But of course Butcher can play the game better than that. So with this issue, everyone appears to be in position. Next issue, somebodies going to have to make a move. And when they do . . then the game's going to be in play. And when that happens . . . there's going to be crap raining down all over the place. It's about to become a very . . . "red" country. Fantastic story and art by Garth Ennis and Darick Robertson. This is a creator owned title, and you can really tell that these guys love what they're doing here. My only complaint, is that I'd like to see the stories get in to the background and motivations of some of the individual players. The only one we've really seen anything about is Hughie. And he's probably the weakest member of the team. But despite that, it's still and action packed book with lots of surprises. This one is easily in my top 10 every month.

Countdown to Final Crisis #23 - DC

We found out last issue who it was that was eliminating some of the bad guys. It was Superman-prime. But, I thought it was Superboy-prime? Well, as Mxyzptlk points out to him, "You're not older. Your muscles are swollen with power. Your cells are storing energy from the recent "encounter" that brought you here. But your muscles will shrink back pretty soon. Once you use up all that extra power. Look in your underpants and you'll see that you're still a boy, "Clarky"!" He's got Mxyzptlk and Annataz Arataz in a little crevice in the source wall, where he's holding them and torturing them. He wants Mxyzptlk to team up with him to help him find his home plant, and to rid the universe of all these other undeserving Earths. Annataz is a Zatanna from another Earth. She's a bad witch on the world she's from. Superman is using her magic to hold Mxyzptlk's at bay so he can torture him in to doing what he wants. But Mxyzptlk's not breaking. "Wise up, Clark Bent, I'd never give a rube like you anything except the finger. Shame you broke alla mine. Y'see, junior, there's an art to the battle of wits I fight with the real Superman everyone knows and loves. And actually, if you had approached this scenario with one iota of the maturity he has, I might have cut ya a deal and played along . . . . if the punchline to your little plan was funnier." Eventually, Superman-prime gets frustrated and flies out to a distance where he can blow them up. Luckily though, Annataz came to her senses and sets Mxyzptlk free. She sacrifices herself because she knows she's been a bad girl. So know Superman's gonna have to find someone else to help him. Meanwhile, Mary Marvel is having a bit of a fight with Eclipso, because she feels that she sold her out to Darkseid. Which she did. And Lord Havok and Ultraman, have teamed up with Monarch and have started their fight with the Dominators. They don't even know what hit them. All of these stories are quickly building to a head. I'm not sure yet what this Final Crisis is, but it looks to be a doozy. I have a feeling that the DC Universe is going to be seriously changed after this one. Put on your seat-belts, folks, it's gonna' be a bumpy ride.

Countdown presents - the Search for Ray Palmer - Gotham by Gaslight #1 - DC

Ok, this search for Ray Palmer storyline is interesting. But I have to ask myself, is all of this really necessary? I mean other than taking a tour of the multiverse, what have they really accomplished? And by the way, what ever happened to the Jokester that was tagging along with them for a while? Did he get lost on the Havoc world, or did he not make it through the Red Rain world? And . . . even if they find Ray Palmer . . . what are they going to do then? Supposedly he's the key to this next great crisis that's coming . . . I'm sorry, the Final Crisis . . . but it sounds like all he's doing, as he's jumping from world to world, is looking for the clues as to what that crisis may be. Ok, so maybe he has some knowledge. Actually, he doesn't even have that yet. He's just trying to gather the knowledge. But once he does get it, is he going to know what to do with it? Is he going to know how to stop the crisis, or even how to fight it? And to me, it seems like Bob here is flying by the seat of his pants. Shouldn't he be contributing to their little outing a bit more? On world 19 here, Jason, I think, is actually considering staying behind. He really feels at home in this Gotham and with this Bruce Wayne. At one point he even thinks that this time is even better than the first time. But, as with the previous chapters in this series, not much is accomplished here. All we do really find out is that there's a new Blue Beetle here, and it appears that Batman is training him. I'm guessing it's Dan, the guy with the monocle at the museum. But I'm just guessing. But somehow he is tied in to the multiverse also. He mentions to Batman at the end that they may want to speed up his training, because he might find out what it's like to travel from world to world soon enough. Don't get me wrong, it was a decent story by Brian Augustyn. And Greg Tocchini did a tremendous job on the art chores. It just seems kind of frivolous to me though, as it seems that nothing was really accomplished. As I've stated before, it bothers me when I read a series, and there's chapters in the middle that can be completely dispensed with, without really affecting the outcome, or even the flow of the story. That's the feeling I got after reading this book. I'm sorry, I just don't see why it was necessary.

Countdown to Mystery #3 - DC

This was a very metaphysical issue. Kent V Nelson, who has no idea what is happening to him, let alone how to control it, has finally come in contact with a person who's much more informed than he, Maddy. And she leads him on a little bit of a spirit quest. Well, first she has to cleanse his aura, so that he'll be more receptive to what's trying to get his attention. Most of the book goes like this - "To anyone with any sensitivity, it's obvious something has changed in the domain of magic, and the idiom is changing with it. The book I pulled for you proposes a programmatic paradigm for accessing the beyond . . . and the within. Your hat understands, even if you don't. It's aura is precisely attuned to the new universal vibe." After confronting his inner demons, she actually gets a little angry with him. "Do you know how many would-be witches, warlocks, chaos mages, neo-pagans, thelemists, shamans, and vodoun priests recited little spells today and didn't get results like yours? . . . . it must be thousands . . tens, maybe hundreds of thousands. I've never seen anybody transported quite that way before . . forget taking me along for the ride . . . I don't think you're that talented. I think it's your hat. . . . you're futzing with forces you don't begin to comprehend." So now what? Well his aura has been cleansed, and he's confronted his inner turmoil. So I guess the only thing that's ahead of him is his future . . . and next issue . . . Inza! In the backup story, Eclipso is still trying to influence people that are teetering on the edge of madness. She grabbed ahold of Eel O'brien last issue, and this time she's after Jack Ryder. When Batman interferes, she even thinks about pulling him in. But Crispus Allen comes along and throws a wrench in the whole thing. And now it seems like the Spectre has some kind of plans for him. He wants Crispus to do things that he's not allowed to. He has to follow the rules after all. But Crispus? Crispus can take a more "up-close" involvement in things. I'm not sure what the plans are yet, but I do know it has something to do with Bruce Gordon. Creatively, this issue was a home run. Steve Gerber and Matthew Sturges handle the scripts on the main story, and back-up, respectively. And the artwork was equally as phenomenal. Gene Ha turns in a stunning cover. Justiniano does the work on the title story, and Stephen Jorge Segovia turns in a real nice piece of work on the back-up story. There's a few panels in his effort that almost have a Jim Lee type feel to them. Very nice looking stuff. As I said, overall, this book was definitely a home run.

Birds of Prey #112 - DC

This was a bit of a sad story. The Birds are finally memorializing Big Barda. There's a funeral, and all, but Lady Blackhawk decides she's going to remember her in her own way. She starts out by painting the town red. She feels, I think, that you can't celebrate someone, unless you fully grab ahold of the life they lead. After that she wants to go to Pancho's Bar. It's a bar near Edwards Air-force Base in California. What she doesn't know is that there's some people that are trying to get to her. Calculator has hired False-Face and White Star to take her out of the picture. I think he's calculated . . pun intended . . that Lady Blackhawk is associated with his nemesis, Oracle. So he wants White Star to take her out, and then False-Face to take her place. That would put one of his operatives directly in the lap of Oracle. But even drunk, the Lady proves to be a little more than both of them can handle. But even with all of this going on, the Lady still completes her mission, to reach the bar and put a picture of Barda up on the wall of Fallen Heroes. "Here's to Big Barda . . . the ass-kickin'est gal to ever cover my six! And for the rest of ya: "May you live as long as you want, and want to as long as you live!"" I thought it was a nice way to wrap up the previous story-arc. So next issue we can begin a new chapter. I was really worried about this book after Gail Simone left, but, it seems to be in more than capable hands with Tony Bedard.

the Brave and the Bold #8 - DC

It appears as if our stories are going to follow the Book of Destiny now. And there seems to be a common theme emerging . . . Megistus. But we don't know what or who it is yet. This story is really about Wally and his family. Niles Caulder, of Doom Patrol fame, has been trying to contact him about the fluctuations in his children's powers, and what he may be able to do to help control that. But Wally sees Caulder as a modern Dr. Frankenstein, and doesn't really want to have anything to do with him. However, in the end, his wife's concerns for their children's welfare sway his decision in the other direction. Much to his chagrin, they go ahead and teleport over to Prague to the castle Niles has now set up shop in. It's the perfect setting for their group, actually. Anyways, long story short, they end up getting the kids involved in one of the good doctors experiments, with the help of Rex Mason, but of course things go awry. The children's atoms were to be pulled, for a split second, and studied, but something takes Rex out of the equation. Without his stabilizing influence the kids atoms are about to be dispersed. But with some quick thinking, they use Cliff's robot body, and Larry's negative energy to contain them for the time they need to become re-cohesive. In the interim, however short, we get a Robot-boy, and Negative Girl. It's kind of neat, actually. But the really problem is that in split second before they thought of how to save the kids, Niles proposed to Wally that they could only save one, and he would have to decide which. Later, when they're home, Wally's obviously distressed and Linda wants to know why. " . . . you know that split second? When Caulder told me to choose? Which child to save? . . . . . . I chose. You didn't have time to even let the question sink in. But for me, that moment was a month long. I thought and I thought and I thought. And just before I got the Negative Man idea . . . I made a choice . . .!" Meanwhile the Challengers of the Unknown, who have been reading the Book, are starting to realize just what kind of affect it's beginning to have on them. And they've also become aware of this Megistus. Fantastic story by Mark Waid. And I have to say, I've really fallen in love with George Perez's work all over again. I always thought he was an incredible talent, but now, I think his stuff is just as good, if not better, than when he first gained recognition with the New Teen Titans. It's hard to believe that that was almost 30 years ago now. Wow! And here we've come about full circle. It's simply fantastic.

the Flash #234 - DC

A few months ago, Mike Wieringo, or Ringo as he put it on his covers, passed away from heart failure. His most recent work was at Marvel, so they've been putting a page in most of their books saying goodbye to him. However, his first work was at DC. Or to be more specific, on the Flash. He was even the co-creator of Bart. So I've been wondering, why wasn't anything said in any of the DC books? Well they've made amends to that this issue. There's a beautiful 2 page spread at the end of this issue talking about Mike and the impact he had on the DC Universe, by Mark Waid and Brian Augustyn. It really was touching and well deserved. He's a talent that will be sorely missed. Now . . . back to the book. I like the direction that Mark Waid is taking with this new chapter in the Flash mythos. We're gradually coming up to speed . . . pun intended . . . on the workings and machinations of the family's 2 newest members, Iris and Jai. Jai, last issue, learned of his own mortality. Do you remember when you were a kid and learned that? I think I was about 8 or 9. But the hardest thing was, up until that point, I pretty much thought myself invincible. Then one day, I think because of something I learned in school, I had an epiphany. In an instant I realized just how frail our form really is. But, when you're the son of the Flash, and you have powers that are constantly mutating . . . a deep psychological depression can have disastrous effects on the way your body handles it's energies. Which is what happens to Jai this issue. But even after his transformation, he still doesn't come clean with his parents about what's really bothering him. In the back-up story, about the planet the Flash family has been living on for the last year or so, we see how Barry had an impact on their culture. Last issue we saw Jay's effect. But what this story is really trying to show us is why this planet, Savoth, and it's inhabitants are so enamored by the various heroes of the Flash family. Freddie E Williams II does the artwork for the opening story, and Doug Braithwaite does the art for the back-up. Doug's work is much more stylistic and flashy. But Freddie's is really growing on my. To be honest, I really didn't like his style on this series at first, but it's really starting fit in and define the story. And with all the talents combined, this chapter is really turning out to be a great addition to the Flash legacy

Batman Confidential #11 - DC

When this story first started, I was a little worried. I was worried about how they would handle Joker's origin. Actually, I would say, I was worried about what they might do to update it, and how that might change the overall story. Well, as usual, I needn't have been concerned. Michael Green has done a fantastic job with this story so far. The subtle nuances that he's given the Joker, and his psychobabble have been brilliant. Yes they updated the story a bit. But, they really didn't change the main essence of it. The only thing I am worried about is in this version, Batman is much more intricate in the creation of his evil counterpart than he ever was before. Basically, it was his decision to take this guy out. Something he himself couldn't do, so he turned his identity and location over to a mob boss, whom he knew would do the things he couldn't. However, they didn't. They messed up. And that's what led to him being dropped in the vat of chemicals. But, more than that, this issue we begin to see the strings that tie these two fantastic characters together. Joker's antics are really much akin to a child begging for his father's attention. A beaten and abused child. Not that he doesn't deserve it. But a child none the less. Unfortunately, Joker decides to make his presence known at the exact same time that Bruce learns that Miss Shore is alive. So he decides to be by her side until she comes out of it. That is until the Joker raises the stakes enough that he has no choice. Or, I should say, until Alfred gives him no choice. "You unleashed something foul and depraved on those whose lives you swore to improve. A dead thing, killed by you, that makes more things dead. And now they call on you to rein it in. You cannot do nothing." Of course Bruce has to go now. And he finds the Joker ready and waiting. Ready and waiting for their dance to begin. Like I said, this turned out to be a fantastic story by Michael Green and Denys Cowan. Denys draws a pretty wicked looking Joker. And we aren't even done yet. The next issue should be full of mayhem.

Detective Comics #838 - DC

First of all, look at that beautiful Simone Bianchi cover. That's gorgeous! Now . . . this storyline, is fantastic. We start out with Ra's, who has brought Tim and Damian to his lair . . . or stronghold. Depends on who you ask. I guess. Anyways, they're both in extreme physical danger, yet still they bicker about the approach that each takes to their strategies. We finally get the full picture of what Ra's is going through now. In order to come back, he's inhabited a corpse. His goal is to move into a much younger body. Preferably Damian's . . . . or Tim's. And Batman and Talia are racing across Tibet to try to get to Ra's before his plans can come to fruition. The Sensei, or whatever he is, that Batman went to, to gather information about the invisible map, has also joined their group. Although, I'm not exactly sure how, or why. Dick and Alfred have also finally landed in Tibet, although, because of handling the situation in Gotham, they're several hours behind Bruce. Dick stopped the three Vixen's from being killed by the poison dart's. However, after turning them over to Arkham, it appears that the toxin's still affected their brain functions. So I don't think they'll have to worry about the whole secret identity thing. But it seems to me like it gets closer and closer to coming out every time. Almost like it's to much of a secret to contain any more. There ought to be one of the universe's where Bruce has made a full disclosure, so we can explore the ramifications it would have on his mission and his associates. I think that would be interesting. Kind of a Tony Stark / Iron Man type thing. What do ya' think? Anyways, by the end of the book, everyone has converged on to Ra's lair. Except for Dick and Alfred that is. Tim has been knocked unconscious, and Damian has attempted to escape but has been contained. So now Ra's gives Bruce a choice. Which son does he want to give up to him so that Ra's may continue his existence. But I guess the correct question would be, which son is he going to let die? My question is, what about the whole secret map thing? And how does Nada Parabat fit in to this whole story? I thought it was a very good story by Paul Dini and Ryan Benjamin. Ryan's artwork was fantastic. His style fit perfectly with the action in this book. And I thought Paul did a great job with the way he handled all the various characters in this book. This was chapter 3, so we still have 4 parts to go.

Army @ Love #9 - DC

I really do like this book. I do! It's topical, satirical . . . and . . . it makes you think. You think about what could be. You think about what would happen if nations started looking at war as a vehicle for finance and profit, rather than the atrocity that it is. You think about what would happen if a war were sponsored by big business, rather than a governmental budget. What would happen to the systems of checks and balances? What if war were marketed . . like a video game, or a lifestyle . . . and recruitment was handled like a sports draft? Like this story, if there became a new branch of defense called Motivation & Morale . . . whose sole purpose was recruitment, retention and changing the way the soldiers, and the world, felt about the war and it's ramifications . . . what would that do to government plans like . . . oh, I don't know . . . exit strategies maybe? I mean, look at the cover. It's an obvious take on the Abbey Road cover, but more than that . . in the world that is created in this book . . . I think it's almost akin to an advertising campaign. And to me, that's why this book is so hard to review. I really do think it's brilliant. And it's full of very distinctive characters who are going through a myriad soap-opera of story lines. However, the most important part of this book is the story-line. And the ideas that it represents. Which is also the scariest part of this book . . the story-line and the ideas that it represents. Because in all honesty . . . we're really only a hair's breath away from this reality. I'm not a big horror movie person. And it's not the blood and guts. If it's a drama, that just happens to have some gore in it for story motivation, I'm fine. But the slasher movies? The movies filled with gore, just for the sake of gore? I don't ever have to see one of those, if it's my choice. And the reason is, the ideas it represents. It bothers me that someone could think of the ideas in those movies, and put them to script and screen. And it bothers me that there may be people out there, on the brink of destruction, that maybe hadn't thought about those ideas . . yet! Well . . . I almost feel that way about this book. But, on the same token, it's like a car wreck that you just can't look away from. It disgusts you, but at the same time peaks your curiosity. I know that this story is so far out there, that it's almost inconceivable. But, it's the almost part that worries me. But, at the same time, if a book can prompt this much synaptic activity in my head . . . then it must be doing it's job. And after all, that's what these stories are here for.

Hellblazer #238 - Vertigo

First of all, look at that work of art on the cover. It's by Lee Bermejo, and it's fan-frikkin-tastic! What a talent. The interiors aren't quite as eye-popping, but . . . they're good in their own right. Danijel Zezelj is the guest artist this issue. If you've had the opportunity to read any of the Loveless series, you've probably seen his work there. Very heavy on the shadows and inks, and therefore very moody. Perfect for this book. It doesn't look all that complicated at first glance. But if you slow down and study the panels . . . look at all the lines, and shadows and forms . . . and you'll find that there are some pretty amazing pieces to look at in this book. The panels on page 17, where John has just entered Shadow London, where everything is only as powerful as the world's belief in it, and reputation is the hand that holds all the cards, is really a page that deserves some attention. John is standing up to some urban legends. He's letting them know that he is just as powerful as them, because his reputation is just as well known. But he has the upper hand because he is real. So he uses his knowledge to tear down the legends and thereby render the characters powerless. He's actually there, at Map's bequest . . . the spirit of London . . . to go after three strays that have wandered there through on of the river tunnels. Effra to be exact. Map needs John to retrieve the wanderers and seal off the tunnel. Really, though, he just wants him to seal off the tunnel. Because John only makes it back with one of the three, and Map just sends her back behind the sealed entrance. "You know the mechanism. Urban myths spread like a virus. If word gets out, the story spreads . . . and they grow stronger. Why do you think they let her live?" Which just goes to show you, now matter how strong, or smart, you think you are . . . there's always someone else out there who's ready to use you as a pawn. The master of one game . . . and the Rook in another.

Ex-Machina #32 - WildStorm

This continues to be one of the smartest books out there. Month after month, Brian K Vaughan and Tony Harris give us intelligent, well thought out story-lines, that make us think. The last couple of issues have been leading up to this one. And now Mayor Hundred has made it to Vatican City. And who's the first person he talks to? A priest, who is also an astrologist, who believes that Mayor Hundred is the antichrist. What a way to make an entrance. But he's still going to get his audience with the Pope. "The Pope once went to prison to meet in private with a man who tried to kill him. Let's just say he likes to keep his friends close . . . ." But, even being half a world away, the Mayor still worries about his home town. Luckily he has a more that capable deputy with Wylie. We also learn that this assassination attempt appears to be engineered by the Russians. The Pope isn't their true target. Just a means to an end. I don't think Mayor Hundred is their target either. For some reason they see him as their true enemy. So the assassination attempt is really just a way to make him powerless. " . . if we could make our real enemy become an assassin, he would instantly be rendered powerless, whether or not he succeeded." And I think the good Mayor, subconsciously, suspects that something is amiss. He's having daydreams of his past indiscretions coming back to haunt him. It's not enough to dissuade his course, but I do think it's enough to make him be a little more cautious. He does make it to the Pontiff's chambers, and the Russians are watching and attempting to control him. On the final page it looks as if they may succeed. But, since the story doesn't end here . . . anything can happen next month. Like I said, a very smart series, with a great cast of characters. I actually starting reading this one on a whim. And I've never regretted my decision to stick with it.