Adventure Comics #3 / #506 - DC

I was thrilled to see Connor and Tim back together this issue. I think these 2 make a great team. The best team. In fact, I don't know if anyone else will agree with me, but I think they make a better team than Bruce and Clark. At least Tim's not making contingency plans on what to do should Connor lose control of his powers. Tim would just be there to bring him back . . no matter what. Connor catches up with Tim in Paris, and through trying to find Luthor, Tim shows Connor one of his old labs. The place looks like it's been ransacked . . and it has . . by Tim. Tim tells him how he tried to bring him back. 'My girlfriend die. My dad died. My best friend died. And I couldn't accept it. I couldn't lose you too.' He also tells him about his mission to find Bruce . . his impossible, hopeless, unconfirmed mission. So Connor shares a little secret with him . .'I'm keeping a journal with a list of things Superman did and Lex Luthor does and I'm checking them off. Yeah. I'm that paranoid now. I don't want to find Lex Luthor so I can drag him to prison . . I want to find him to see if there's anything good inside him at all. Hell, not even Superman can do that.' He may not have to look for long though. Luthor is actually aboard Brainiac's ship, and he's been studying Connor's return. But not as a father. He created Connor. He sees him as his property. I don't think he likes the idea of that property running around doing whatever it wants, and being influenced by Superman. I thought Geoff Johns did a fantastic job with the interaction between these 2 characters. To bad he's only going to be here until issue #6. I also liked the way that Krypto was included in this issue. In the beginning he starts retrieving and bringing Superboy's rogues to him. Basically, he's a pet looking for his master's approval. At first it was weird, but when Connor realizes what he's trying to do . . it's actually kind of touching. Which is what I really like about Geoff's writing. After reading this book you really have a feel, almost an emotional connection to these characters. You can feel their frustration, and their drive. You can also feel their relief knowing that no matter what they'll always have each others back. I thought Francis Manapul gave this book a great feel with his art also. In the Legion story we see Dirk and Brek on a mission together. They've come to Brek's home planet, Tharr to try to retrieve the Cryo-King. He's been trying to make a name for himself so that the Legion of Super-villains will accept him. The boys end up taking him down, when they finally do a little teamwork, but the really important part of this story was a little revelation at the end. In Cryo-kings possession they find a map from the 21st century . . a paper map. Dirk wants to know what it's all about. Cryo-king tells him, 'You think you're the only Legion with an espionage squad in the 21st century?' It was another good story by Geoff and Michael Shoemaker. Clayton Henry did the pencils. As I've said from issue #1, I'm so happy that this book is back. I always liked this title, but it ended rather abruptly . . some 26 years ago. Superboy and the Legion is the perfect way to get things started again. I am wondering though . . who's taking over after Geoff?

Green Lantern Corps #41 - DC

Well . . it doesn't appear that things are getting any easier for any of our favorite Corps members. And we see a lot of them this issue. This whole issue takes place, pretty much, right on OA. First we see Iolande and Soranik trying to save their fellow Corps members that have been hurt and are stuck in the infirmary. The only thing that appear very different about their attack is that at one point Soranik is getting engulfed in this giant black skull. I'm not sure if that was one of the Black Lanterns she blew apart reforming, or if it was some other manifestation entirely by the black rings. Anyways, they end up beating them down long enough to gather up all their fellow members, and then they decide to take them to 'The only place I know where they'll be safe . . Mogo.' But hasn't Mogo been compromised also? I guess we'll find out next issue. Meanwhile, Guy is fighting Ke'haan, on of the lost lanterns. He's intent on finding out what the black rings are doing to their corpses. So when he takes Ke'haan out, he takes a piece of him with him to study. On their way off of OA, Soranik sees Kyle fighting with another Black Lantern. She goes back to help him and comes face to face with Jade. Meanwhile, Arisia is having some family issues of her own . . literally. All of her previous family members, that have been Lanterns, are trying to take her out. They end up crashing into the Hall of Lanterns, and it's the holograms of her family . . how they used to be . . how they should be remembered . . it's those holograms that finally give her the strength and the will to fight back. Also we see Killowog fighting Lantern Ermey. He was Killowog's trainer and mentor. He's really messing with Killowog's head, and in the end it looks like Ermey's going to take his heart. And our last batch, Vath and Isamot, really seemed to be overwhelmed by the teaming ranks of the Black Lanterns. It appears certain that they're going down. Especially when these creepy looking kids show up . . the Children of the Corps. 'We wanna eat . . and we wanna eat now! Yum, yum eat him up!' But then at the last second, a member of the Indigo Tribe arrives to save them. There's a lot of banter back and forth between the Green Lanterns and the Black Lanterns. To me . . none of that seems very important. Basically they're just pushing their buttons. However, I think it is important to note that during those conversations a lot of secrets and emotions are coming to light. I know they're just stroking their emotions to fuel their rings, but . . I think there's going to be a lot of collateral damage done here that we're not really going to see or notice until after all the fighting is done. Right now they all have this common purpose . . to defeat the Black Lanterns. But when all the minutia quiets . . and they have more time to reflect . . I think they're all going to remember, and think about all the things that have been revealed during the course of these confrontations. I have a feeling that friendships and teamwork are going to be stretched mighty thin. This was another fantastic issue by Peter J Tomasi and Patrick Gleason.

Smallville - Rabid - Season 9 Episode 3 - WB

I thought this was a great episode. It was a little out there, but . . it's TV. Right? I guess this is their 'Halloween Episode'. It kind of had that theme. Even if it is a couple of weeks early. Anyways, basically is was a zombie episode. One of Zod's underlings decides to take it upon himself and release a very aggressive virus out on Metropolis. He tells Zod that he's found out that there's another of them already living here, and he's been granted the powers of the yellow sun. Which has been elusive to them, so far. So he thought that if he released the virus it would serve to draw the other out. As soon as Zod sees the symbol that Clark's been leaving all over town he knows that it's Jor-El's. Anyways, that's what happened. But . . we don't actually know any of that until the very end of the episode. The rest of the episode is spent with Clark and Lois trying to fight their way out of the Daily Planet. Chloe and Emil come up with the anti-dote and get it into the water supply. And Ollie? Well . . Ollie helps a bit. It's more like he's fighting for survival. But after Lois was bit, and Clark asks him to take care of her while he tries to figure out what's going on . . well, he can't even do that. He hasn't slept in day, and between the pills and the alcohol . . well let's just say that Ollie isn't at the top of his game. He ends up letting Lois nod off, which is how the virus incubates . . and when she awakens, she's a howling, scratching, biting zombie. It looks like Ollie messed up that assignment. Luckily Clark comes looking for her shortly after she changes, so she didn't have to much time to get into trouble. And then, shortly after that, Chloe and Emil have seeded the clouds with the anti-dote so that every in Metropolis will be exposed to it. Including Clark and Lois who by then are out in the street brawling like a couple from a trailer park. I really liked the way this episode was shot, too. If fact, I think that's what made the episode. It really had a Resident Evil, or 30 Days of Night type feel to it. So now Emil knows Clark's secret also. Well . . he already knew that he was an adventurer like Ollie. But now . . now he also know that he's an alien. And I think Ollie has finally hit bottom. I'm guessing that we're gonna end up with some type of origin episode for him this season. Or at least one where he's washed up on a deserted island for an episode. Of course . . they may leave him on one and then stretch it out until next season. I guess we'll have to wait and see. Anyways, I really liked it, and next episode . . Toyman shows up. That should be interesting.

the Amazing Spider-man #608 - Marvel

It looks like Peter has all kinds of people crawling out of the woodwork now. Remember in ASM Annual #36, Damon Ryder attacked Peter up in Boston when he was there for Aunt May's wedding? Well in this issue he comes to the offices of the Front Line looking for Ben. Peter tries to play him off as the rantings of a mad man, but . . he's also brought a copy of a West Coast paper with him. In it is a police sketch of the man they think is responsible for burning down Professor Ryder's house, and killing his family in the process. The sketch looks just like Peter, which leaves him with a lot of explaining to do. While all of this is going on, we're also getting the background story of how Ryder and Ben Reilly came to know each other. Professor Ryder hired Ben as a lab assistant. Damon is trying to prove the evolutionary link between dinosaurs and modern man. He ends up proving it, kind of . . but what Ben or anybody else doesn't know is that he's been experimenting on himself. And I think it's starting to change him. We'll get some more on that next issue. The one thing we really don't know during all of this . . where exactly is Ben Reilly? And at the end of the issue, after Peter tries to track him down with a tracer . . which by the way he left behind while he's out hunting Michelle, Peter's roommate . . he's sitting in Damon hide-away when he's confronted by, actually physically accosted by . . Kaine. As Kaine lifts him off the ground by his neck, Peter's thinking . . 'This is going to hurt!' Well . . now we're going to see how Marc Guggenheim handles this whole 'Clone-saga'. Hopefully it won't be as long and drawn out as it was previously . . in the 90's. But we'll have to wait and see. I'm guessing that it's probably going to cover at least 6 issues. Which is cool. I just hope it doesn't stretch out into a year long thing. Marco Checchetto does the art, and Adi Granov does the cover. All in all I thought it was a pretty decent book. We covered a lot of the background this issue, but . . we've still got quite a bit more to go. How does Damon and Ben go from be lab partners, and buddies . . to Damon's family getting killed and him having a serious hard-on for Ben? I guess we'll have to wait until next issue to take that next step.

Ultimate Comics Spider-man #003 - Marvel

This book has the same great feel to it as the original. Thanks to Brian Bendis. He does a fantastic job of writing these stories about Peter as an adolescent. However, to me the most touching part of this story was when Johnny and Aunt May were sitting in the kitchen, and May's trying to figure out where he's been all these months. That's what I think Brian handles so well in this book . . the dialogue between characters. Peter and MJ also get into a fight. Mostly because he spills a drink down the front of her when he runs into her, but also because of all the unresolved issues standing between them. Yes MJ did break up with him, which Peter still doesn't understand why. But then when he moved on to Gwen it really hurt MJ. They argue, but they don't really talk. So nothing gets resolved. At the end of the book, Johnny finally talks to Sue and I'm guessing she's decided to let him have a little space. It looks like, for the meantime, Johnny's going to be living with Peter, Gwen and Aunt May. There's some dysfunctionality waiting to happen. Peter's already stretched to the limits as Spider-man. Now he's going to have a basket full of issues to deal with at home. Oh yeah, and Mysterio crosses paths with Spider-man again this issue. He tries to pull off a day-light robbery at the New York City Reserve, but . . Spider-man figures out what he's doing and foils it. Mysterio thought that Spider-man was a nuisance before. But now? Now I think he's going to make it his mission to get him out of his way. Like I said, fantastic story and dialogue and characterization by Brian. He definitely seems to have a love for this book. I think David Lafuente is doing a good job on the pencils also. His style is definitely different from Mark or Stuart's, but . . he's starting to make the book his own. And he's giving it a great look and feel. I'm glad this book didn't get discarded, or cancelled. I love seeing Peter as a teenager. To me . . that's the perfect Spider-man.

Ghost Riders - Heaven's on Fire #3 - Marvel

Danny and Johnny are still trying to find the doorway to Heaven. They want Zadkiel to pay for what he's put them through. Although Danny seems a little more driven to get there than Johnny does. For some reason Johnny just doesn't believe that the Devil is telling Danny the truth. Danny recently resold his soul to the devil. He's promised to find the antichrist and keep him safe, and in return the devil will show him where the door to Heaven is. Zadkiel is also after the antichrist. If he kills him than he can play out the end of the world any way he wants. Johnny just doesn't think the whole thing is on the up and up. He's convinced that somehow, some way the devil is playing them. But, as much as Danny pisses him off . . in the end, he's really all he's got. Actually they're both all either of them have. So for the next part of the journey, it appears that the brothers grim will have to traverse the mystic wastelands and try knocking at every door to Heaven until somebody decides to answer. Jason Aaron and Roland Boschi are constructing a pretty cool story here. I'm just interested to see if this is going to end the way I think it will . . the only way it really can. I think that in the end they'll defeat Zadkiel, allowing Heaven to get back in order . . Danny will end up with his soul-contract hanging over his head, and Johnny will go back to being the one true Ghost Rider. Of course, I could be way off, but . . that's just what I think is going to happen. I'll just have to read and see. The back of these issues are filled with reprints of 1/2 of an original Ghost Rider book. This issue reprints the first half of Ghost Rider #2 . . from the 70's. And because of that . . we pay $3.99 instead of $2.99. Don't even get me started.

Vengeance of the Moon Knight #2 - Marvel

At the end of the last issue . . the Sentry showed up. He said he wanted to talk. The problem is . . the Sentry is constantly being fed updates on the most dire emergencies on how he'll be able to help. So he doesn't really have time to slow down to talk to Marc . . er, I mean Jake. Anyways, the Sentry doesn't slow down . . he takes Jake with him . . on the next 5 or 6 'saves'. It's a good thing that Jake isn't prone to motion sickness because the Sentry is really whipping him about. But when it comes down to it, all he really wants to say to him is . . 'You will be tested . . and you will fall'. That was different. So the rest of the issue Jake is out trying to recruit all his old cronies. He's trying to put the team back together. But Norman isn't going to just let Moon Knight show up in his city and do whatever the hell he wants. He's hired the Profile to trail the Moon Knight and tell him everything he can on him. However . . he can't read him. He doesn't know what he's doing or why. But . . he does know how to hurt him. The issue ends with him and the Hood at the Bushman's grave. He knows that this is the one guy that can hurt Jake. So far . . I like the book. I liked the last one also, but . . it was pretty dark. I know that Moon Knight is that type of character, but . . it was dark even for him. I like that he's back trying to be a 'hero' again. Gregg Hurwitz seems to have a pretty good grasp of this character. I'm glad he's putting the supporting cast back in place. I like solo books, but you still have to have some kind of dialogue and interaction. I'm still of the belief that the supporting cast makes the character. I'm also impressed, so far, with Jerome Opena's pencils. Overall I like the feel that the book has right now. Hopefully it'll continue to grow on me.

Astonishing X-Men #31 - Marvel

Well . . we're on chapter 3 of this book now. Well . . maybe it's chapter 2 1/2. Warren Ellis has stayed on as the scripter, but now Phil Jimenez is the artist in residence. And I couldn't be happier. I absolutely love Phil's work. However, I think this story takes place before the whole Dark Avengers/Dark X-Men thing. The X-Men aren't on the island yet. They're still located in Marin County. But it's a cool story, nonetheless. Abigail Brand is still around. Which I guess makes sense since she and Hank are an item now. But she's up in outer space. She and her team go to this asteroid based station, but it's been overrun by the Brood. She torches the place and blows it up, but barely makes it out as she wants to make sure the rest of her team are clear first. Her ship sustains some damage and she can't control it as it starts to head towards Earth's atmosphere. That's where the X-Men come it. SWORD gives them a call. They don't really want to, but . . they don't really know any other way to save Abigail either. The X-Men end up saving her, but the ship still crashes. Ororo minimizes it, but it's still witnessed by everyone at Fisherman's Wharf. Including . . Laurie Collins, Wallflower. Somehow . . someone coordinated all of this because it's just to coincidental that the ship lands here and Emma spots Laurie in the crowd. She's supposed to be dead, afterall. Apparently she was waiting for Emma, because when Emma tries to talk to her telepathically . . Laurie says 'Contact'. As soon as she does, it looks like all the organs in her body come exploding out of her chest and she becomes this giant sized techno-organic Sentinel. I'm wondering if this whole thing is connected to Bastion and everything that he been throwing at the X-Men. I don't know. I guess we'll just have to wait and see. I thought this was a terrific opening chapter. Like I said, I absolutely love Phil's work and as I was reading I had to study every panel of every page. Personally I think this book has been fantastic ever since issue #1. I don't think there's been a dry spell yet. But I'm really excited about this new story-arc. I can't wait to see what Warren and Phil have in store for us.

Cable #19 - Marvel

Ok . . now everybody is out in space. The aren't even on, or near Earth anymore. The Brood have just landed on the ship that Nathan and Hope were escaping in, but . . last issue, right before they chewed their way in, Bishop had gotten the ship from the other city working, and he and Emil had also come after Hope. So now . . with the Brood on all sides of them, Bishop and Nathan are still fighting like thier only concern in life is doing in the other. Meanwhile, Hope's only concern is finding Emil and making sure that he's safe. Apparently the Brood arrived in some kind of gigantic space bubble, with all kind of space-fish floating around in it. I'm not sure what that's all about, but Emil figures out that they can breath in it and they both go outside of the ship to hide. Well . . actually, they're trying to get to the life-pods. Anyways, long story short . . Cable has to also come outside to save them from the fish, and he ends up getting swallowed by one. Meanwhile, Bishop is fighting for his life against the Brood, and tries negotiating with them. He tells them that Hope is even more powerful than he, and that he'll take them to her in exchange for his life. But they want to make sure that he's compliant, so . . on the final page it looks like the Queen has decided to impregnate him anyways. I like this book, and I love Cable's character. But . . I'd really like to know what it is about Hope that has Bishop so riled up. The guy's traveled to the ends of the Earth . . literally, to try to kill this girl. He's nothing if not single-minded. He's brought a nuke with him out to space, but he refuses to set it off without actually seeing his target while he's doing it. And how does all of this fit in with Cable's already established future with the Askani? I've enjoyed Duane Swiercyznski's stories. And I'm amazed that we've actually come all this way without really even knowing what all of this is about. Gabriel Guzman does the pencils for this issue. It all looked pretty good. So next month . . we'll see how all these characters get out of another fine mess. You'd think sooner or later somebody would die.

Haunt #1 - Image

After reading this book . . I'm very pleasantly surprised. I really only picked it up because I saw Todd McFarlane's name on it. I know! The guys got plenty of money and he doesn't need another comic geek contributing to his coffer. But . . what can I say? Ever since he started doing covers for DC, and then he did Infinity Inc . . I've been following the guy. Anyways, at the top of the book it's got McFarlane, Kirkman and Capullo listed. How could I not give it a shot? Robert Kirkman is the co-creator/writer, and Todd is the co-creator/inks. Greg Capullo does the layouts, and Ryan Ottley does the pencils. I've kind of got mixed feelings about the pencils. I'm sure Greg and Todd contributed a lot to the overall look, but Ryan's pencils, to me, almost have a Whilce Portacio look to them. Or at least he's heavily influenced by him. Anyways, I have to admit, it's really cool picking up a book for a brand new character knowing that everything you're reading is laying the groundwork for this new experience. Plus you know that everyone else that's reading it is getting the same rush. Our main characters here are Kurt and Daniel. Two brothers could not be more different than these two. Kurt is either a special-ops guy, or a mercenary. I'm not sure which, plus I guess it doesn't really matter. Daniel is a priest, but . . I think he's lacking some faith because the opening scene is him leaving a hooker behind in a hotel room. It seems that after every mission Kurt comes to Daniel to confess his sins. He's doing a job, and he's killed a lot of people. He seems completely immune to the violence or bloodshed. His first scene . . well, he starts out in confessional, but then we get a glimpse of his most recent mission. He starts out that mission by cutting himself out of a body bag. He's been sent to retrieve a scientist that's been know to experiment on cadavers, so he tries to get into the facility by hiding in the shipment of bodies. But instead, him and the rest of them have been thrown into a mass grave. Long story short, the scientist has moved on to experimenting on live patients. When Kurt shows up, the scientist wants to take his most prized possession with him. When Kurt sees what he's done to these people locked up in this room . . he shoots the scientist square in the head. Kurt doesn't see it, but as he's trying to get these victims out, someone or something crawls down from the ceiling and takes the scientists satchel. In it is his notebook which never leaves his side. Shortly after his confession, Kurt is abducted, tortured and then killed because someone wants to know where that. In it is his notebook which never leaves his side. Shortly after his confession, Kurt is abducted, tortured and then killed because someone wants to know where that notebook is. At his funeral, Kurt appears as a ghost to Daniel and asks him to protect his wife, Amanda. Daniel doesn't really believe that he's there, but . . apparently she is part of the reason Kurt and Daniel don't get along. We don't know what happened, yet . . but she's the cause of their falling out, years ago. Anyways, the book ends as Daniel, who's sleeping on Amanda's couch, is awoken by Kurt. Shortly after 2 hit-men come into the apartment. Daniel is shot at, and as Kurt ghosts instinctively lurches to take the bullet for him, the 2 brother's merge. They become this Haunt character that's pictured on the cover, and immediately slice the 2 guys heads off. 'Kurt?' 'Yeah I'm here.' 'So . . maybe I'm not crazy!' In the back of the book, Robert gives us a little history on what's lead up to he and Todd's collaboration. He bills the book as an 'action / horror / espionage epic'. He's also asking for ideas for the title of the letters page. My suggestion is 'Sibling Revelries'. Or maybe 'Haunting Confessions'. I don't know. It's just an idea. Anyways, I really enjoyed this first issue. I actually enjoyed everything about it . . the writing . . the art . . and the character. I can't wait to see where Kurt, Daniel and Amanda go from here. And I'm pretty happy with myself for picking this up on a whim.

Project Superpowers: Meet the Bad Guys #2 - Dynamite Entertainment

This issue we're introduced to a new villain . . the Revolutionary. He seems to be all full of bluster & bullets, but when the Fighting Yank tries to take him down . . there may be a problem. It seems that the American Spirit . . the ghost that follows the Yank, and appears to be his conscience . . likes this guy. Well . . maybe that's the wrong way to put it. The Spirit seems to think that his connection to the American Flag makes him more of a comrade in arms. But that doesn't stop him from trying to take out the Yank when he crosses his path. The book opens with the Revolutionary breaking into the Federal Reserve. But it doesn't appear that he's actually there to steal anything. It seems more like he's trying to make a point. 'What's the dollar worth these days? What kind of currency can you even depend on in a bankrupt country? Even the mere idea of it . . . ' So, either he's trying to send a message, or . . he trying to draw out the soldiers of a corrupt government to show them that someone still cares. At least that's what the Spirit is trying to tell the Yank. 'If you see him as a revolutionary . . you would be sorely mistaken. Look past the aggression, his bravado, to what he represents. He is a challenge. He is not the enemy. He is like a newborn to this life. As any true revolutionary would be, he has the fire inside . . but no discipline. That is where you come in, Bruce Carter . . for he is one of us. He simply doesn't realize it yet.' The book ends with what looks like the Revolutionary and the Yank melding together. I'm guessing the Yank will not be his advisor, his conscience. All in all I was much more impressed with this issue, than issues past. I thought Joe Casey did a great job with the story, and Mike Lilly's pencils were perfect. Of course we didn't have 12 or more heroes to try to keep track of this issue. To me . . that seems to be the biggest stumbling block with this 'project'. The quality is there, but the quantity . . well, the quantity can be a bit overwhelming at times. It's definitely ambitious. I just hope it doesn't get the reader lost in the minutia.

the Boys #35 - Dynamite Entertainment

Thankfully Darick Robertson returns to the pencilling this issue. I mean, the story didn't lose any of it's feel or momentum while Darick was out . . Warren was still at the helm, so . . things flowed along pretty much the same. But . . Darick is the man for this book. I don't care who they bring in here, or how good they are . . in my eyes, Darick will always be the person for this book. Period! Anyways, this issue Mother's Milk gives Hughie his origin story. Sort of. I'm sure he didn't give him all the details, or he left some stuff out, but . . overall . . he finds out how this guy came up. It's kind of a sad story, really. His mother worked in a canning factory, part of Vought-American . . these guys are into everything, I guess. But before it was a canning factory, it was the place where they made Compound V. You know those little blue pills that Vought-American developed that give people the super-powers. Anyways, like the people that work in asbestos lined factories, some of it leaked in to the workers systems. His brother came out retarded, and he was tethered to his mother permanently . . literally. If he didn't get his mother's milk, hence the name . . he would wither away to nothing until he did. When the compound his his brother, he ballooned up past what his body could take, and he suffocated. Michael got off a little easier . . but not much. He was in the boxing ring when his powers manifested. He ended up taking the other guy's head off. Shortly after that is when Butcher recruited him. Anyways, he's telling Hughie all of this because Butcher thinks that Hughie is about to hit the curb. He gets along pretty well with Vas, but . . ever since the G-Men, he's been kind of fed up with all of this stuff that they do. He doesn't know whether he can stay on this path. Anyways, next issue we'll get the rest of Michael's story. I liked this one. It's about time we started getting some of the background on these guys. And you just know it's not going to be like any other secret origin you ever read. Whether it's a big seller or not . . I still like this book. It's different. It's irreverent. And it's one of my favorites.

the Authority #15 - WildStorm

We get a little bit of the adventure that Midnighter is on this issue . . remember, he crossed that river onto the island full of fairy-tales, and myths and dinosaurs and stuff? And we also see that Jack is being held captive by Kaizen Gamorra. He wants to capture the Carrier and steal all of it's technology. It's for his people and his city, but . . really, it's for himself. But the important part of the story is with Angie in Rendlesham. Lorenzo has taken her there because he wants her to use the exotic-tech to build a door into the Bleed. He wants to return to Sliding Albion. It turns out Rendlesham is filled with a bunch of exotic-tech that the British Government has accumulated over the years. Including . . 'a miniature version of the caged universe that used to run the Carrier.' Angie starts using her nanites to interface with all this tech. But when she comes into contact with the caged universe . . things really get out of control. It starts talking to her and tells her that it's been a prisoner here since the 1950's. It then interacts with Angie's nanites and lets itself become absorbed into her system. She's just got the power boost that she wanted, plus . . and upgrade to end all upgrades. She talks the Golden into helping her, and in return, before guiding Swift back to her, she has her stop at Sliding Albion and get the Golden's brother for them. She easily has Lorenzo beat, but he's set on returning home . . so he jumps through the door at the last second. Unfortunately . . for him, not all of him makes it through. He's cut in half. The top half in Sliding Albion . . the bottom in Rendlesham. What will they do now? 'Saddle up. We're taking back the Carrier. And we're taking Gamorra down.' Next issue should be a heck of a story. This issue is brought to us by Dan Abnett & Andy Lanning. I really liked the job they did with this story. I can't wait to see how this all plays out. The art is done by Drew Johnson, Ray Snyder, Simon Coleby and Cliff Rathburn. All in all . . I thought the book looked great. I'm glad to see that we're starting to get our team back again. They're the same . . but different. But that's ok. And once they all get back together . . maybe they can figure out what to do about Apollo.

Planetary #27 - WildStorm

First of all this book has a beautiful John Cassaday cover. It's a 3-fold cover, but unfortunately it can't be shown in this little picture. Secondly . . it's about frikkin' time. My last post for Planetary was almost 3 years ago. I know Warren and John have been busy, but . . give a guy a bone, ok? By the way, this series has been almost 11 years in the making. Issue #1 came out in April of 1999. I had to change my frame of mind before I read this book. First of all I'm frustrated because of how long it's been. Secondly . . it's supposed to be the last issue. Aarrrggh! Talk about an anti-climax. So . . anyways . . I cleared my mind . . got rid of all the negativity . . and sat down to read the gem I'd been so longingly waiting for. And . . this issue ended up being all about saving their fourth . . Ambrose. It's all rather complicated but basically . . Ambrose was on the brink of dying. So, to save himself he put himself in this stasis field . . that's not actually right, but it's the closest that I can explain it. Anyways, inside this field he could affect and rewrite the laws of physics. So . . he stopped time. He knew that eventually Elijah would figure out a way to save him. So he had to halt the progress of his wounds until he did. Now comes the tricky part. Drum has to build a time machine. The problem is . . well, the problem isn't building the machine. They know how to do that. They've got plans. The real problem is . . once you can manipulate time, you can only go as far into the past as was the first time machine turned on. So therefore, once the machine is turned on . . everyone from the future would come back to look, and gawk. Which in and of itself isn't a problem. But . . that also means that at that moment the future had come to pass. What has happened has already happened and can't be changed. Therefore, basically . . when you switch it on you've put an end to everything because it's all been done and written. I know. It makes your head hurt . . right? Anyways, long story short . . and without all the scientific paradigms and explanations . . they end up saving Ambrose. Which is what this series has been building to this whole time. However, the frustrating part is . . while this is the last issue, it also clearly is really just the beginning. So will we see another Planetary book? From Warren and John? . . . I doubt it. But maybe we'll see something from these characters somewhere along the line in the WildStorm Universe. Anything is possible. Right? Anyways . . it was a fantastic issue. Well . . fantastic, and frustrating. It was so good that it just served to remind me about why I liked the book so much in the first place. Which, as I said before, is anti-climatic because it's the final issue. There's already a couple Planetary TPB's out there. I'm sure we'll get a master edition that contains every issue. So ya'll have a variety of ways to get ahold of this. If you haven't picked this up . . you should. You won't be disappointed. Even if you never read Planetary before, you should pick this up. You can read this issue in and of itself and you'll be fine. You'll still be able to follow it. Warren and John do a masterful job, and I think they should get all the back-up and following that they can. Oh, and if they're listening . . Thanks!!

Jonah Hex #48 - DC

Well it looks like next issue, Hex is going to have to take the fight to Turnbull himself. This issue he finds out that his little amigo, Chako, has betrayed him. He sold him out to Turnbull and shows up with all sorts of assassins to take down Jonah. The problem is . . Jonah doesn't give up easily. And rather than wake Bat Lash and Lazarus, not to mention Tallulah, he decides to take them all on himself. I'm sure he wouldn't mind the help, but . . he leaves a couple of the women alive so they can go back to Turnbull and tell him what he's done. I'm sure the story will grow by the time they get there. And after he takes out the assassins . . he shoots Chako in the head for betraying him. This is part 5 of 6 Gun War, so like I said . . next issue will wrap this up, so I'm sure Jonah will be going straight to Turnbull's door. Justin Gray and Jimmy Palmiotti are doing a great job with this story. I'm guessing that this was kind of an experiment for them, because every issue leading up to this were single issue stories. I mean . . if you're unlucky enough to meet up with Jonah . . there's not much of a story to tell. You either end up dead, or run out of town. But I think they had some fun with this one. And it shows. Cristiano Cucina does the art. So next issue . . you know that Turnbull's going to end up dead. The question is . . will Jonah do it quick . . or drag it out? Hmmm!

the Mighty #9 - DC

Well Cole finally decides to make a move against Alpha One this issue. He's actually pretty smart about it, but . . it's hard to outrun a super-hero. In the end . . well . . let me tell you what happened first. As you know, hopefully, in the last issue Alpha One left Cole alone in his club-house, while he went out to fight some emergency or other out in the world. However, he also has to stop a Tsunami in Japan, so . . it takes him a little while to get back. So while he's gone, Cole decides he's going to do some fishing around and see what type of secrets Alpha One is keeping. As soon as he hacks into his computer, he comes across the nuclear weapon that Alpha One supposedly had detonated out in the upper atmosphere. He finds out though that he actually buried it under the pitchers mound at the local ballpark. I guess he decides to go get it and hopefully get it out before Alpha One realizes what he's done. Then we learn another little secret. The brand that was put into Cole's hand . . so that he could call Alpha One if needed . . it actually works both ways. Alpha One can also use it to track Cole. That's why he cut off Taylor Rhines' hand last issue. He's been keeping it on ice. So to throw off Alpha One, he heats up Taylor's hand in the microwave, while he uses some cold spray to neutralize his own. When Alpha One finally realizes that Cole's up to something, he goes to his apartment looking for him because that's the signal that he's receiving. When he realizes that he's been duped . . he is pissed! The next scene really tells a lot about this character. Alpha One zooms off to get Cole, and he flies straight to him . . straight through anything in his way . . buildings . . people . . whatever. He catches up with Cole and shoots him in the mouth with his laser eyes. I'm not exactly sure why, but next thing we know . . on the last page of the book . . Cole's driving his car over a cliff. I'm really at a lose to know where these guys relationship can go from here. Now that Cole knows he's keeping some secrets, and he's willing to do pretty much anything to maintain them. And Alpha One knows that Cole is going to keep digging until he finds out what he's up to. I can see only one way that this ends . . with Cole's death. I think Peter J Tomasi, Keith Champagne and Chris Samnee are doing a terrific job with this book. It isn't at all what I expected when I first picked it up. But . . that's a good thing. The last thing we need is another recycled super-hero book out there. And this is nothing like that. It's fresh and it's different. And so far through 9 issues, it's completely kept me guessing. And in the end . . that's all I ask for. If you haven't seen the book . . check out the TPB. I think you'll be pleasantly surprised.

the Warlord #7 - DC

I absolutely love this book. I was thrilled when it came back, and now . . with this issue, Mike Grell will also be doing the interior art for this story-arc. So far he's been putting out some incredible covers, but the interiors on this book look equally incredible. I love the way he spreads his panels across 2 pages to express the flow of action. And of course there's always that 2 page spread on the title page. It's freakin' awesome! Anyways, this issue Morgan has come across a damsel in distress. Literally! She's a vested virgin. There can't be to many of those around. Anyways, somehow, I think, she's connected to the gods of Skartaris. It appears that they've taken notice of Travis and have decided to muck about with him a bit. Unfortunately, he doesn't know that yet. It seems that they're also messing with his perceptions and memory. She brings him out of his trauma from the recent battle, and he doesn't even know his name. The issue ends with it's usual cliff-hanger . . Travis and the virgin are attacked by some of the man-beasts that dwell in the relic of the city that she lives in. Classic Warlord! I think it's great that a sword and sorcery book like this can find a market in today's comic industry. I love it! Also, next week, IDW is bringing back one of Mike's other creations . . Jon Sable. I know that this is a short blog, but don't let that reflect how much it looks like I like this book. I just don't want to go on and on about how much of a fan of Mike's I am, to the point where it sounds like I'm trying to sell the book rather than tell you what I thought about it. Personally, I think that anyone would find this title entertaining. But I know this isn't everybody's cup of tea. However, if you give it a shot . . I think you'll come to appreciate it. It really is a fantastic book.

Red Tornado #2 - DC

I think Kevin Van Hook is doing a good job with the story here. However, we seem to be focusing mostly on Red Tornado's android family, and not paying much attention to John's . . Kathy and Traya. Last issue we were introduced to the Red Volcano, and given some back story on Red Torpedo. We've already been given an image of both, a perception, but . . I think we're being misled. Volcano seems all full of rage and violence . . that being demonstrated when he barricades himself inside of his father's cell, TO Morrow and starts interrogated him for information on his surrogate, assembled family. We get a feel for the Red Torpedo when John releases her from her prison . . a torpedo tub on a sunken ship inside of Pearl Harbor. Just a little bit of irony there. Anyways, she tells John that she did what she did in her past because she was under Morrow's control. And then she begins to attack the fighter jets that are patrolling the area. Of course Tornado stops her, but . . 'I could have simply disabled their planes and dropped them gently into the ocean. Or I might have cocooned them in water and watched them drown. Who knows now? You interfered.' I think John wants to think the best of her, but . . his judgement may be clouded. Anyways, she knows about Volcano so they both go to Belle Reve to try to talk to him. But he's not ready for them. He wants to meet them on his own terms. Meanwhile back at Golden Valley High School, Seth Aiden in reaping the brunt of some bully's torment when it seems that the stress has turned him into the Red Inferno. He doesn't know who or what he is yet, but . . his body is on fire and it's scaring him to death. And he's flying. Then, on top of that . . Red Volcano shows up and wants to talk. 'Hello, little brother!' Luckily, Traya is there also to witness all of this, so . . she'll be filling in her dad next issue. I think this is an interesting twist on this character and his history. Plus, I hope we get some more of Morrow's story. But like I said, I feel like Kathy and Traya are kind of being left by the side of the road. Maybe they'll become a bigger part of the story next issue, but . . somehow I doubt it. Jose Luis is the penciller of this story and I think he's doing a fantastic job. Ed Benes is doing the covers, and I think Jose's stuff looks a little bit like Ed's. Anyways, so far I've liked this book. But, we'll see where it goes from here.

Magog #2 - DC

This story was interesting. A little out there, but . . interesting none the less. But I'd expect nothing less from Keith Giffen. As Magog witnessed last issue in Africa, someone out there is dealing in 'wonder-tech'. He assumed that it was Intergang, but . . I don't think it is. They were using it there to control the bodies of dead people . . their own little non-complaining work-force. He finds that same type of thing being done here, this issue, in New York City. While looking into the death of a fellow soldier, he comes into contact with a group of 'zombies', or as Axel calls them . . 'meat machines'. It's not a very good meeting for Magog, but . . he does go away with a couple of names . . Flashpoint and Maisma . . and something about 'over-people'. Whatever that means. He tries going to Hector Hammond to get some information. Afterall, he also dabbles in mind control. But . . that doesn't end well either. Earlier in the story, and last issue, we see the guy who seems to be dealing this stuff. He's working out of Hawaii. This issue, when Magog goes to Haven to talk to Hammond we find out that same guy is actually the Warden of Haven. I'm glad that they've kept the JSA presence mixed in with the story in this book. I mean, we have the connection there . . why not flash on it now and then to see how Magog is interacting with his team-mates? So far I like the book, but . . there's a lot going on that we don't have all the pieces to yet. Everything is gradually unfolding, but . . it's slow going. I like Howard Porter's art, but then again I've already stated that I'm a big fan. And we got a great Glenn Fabry cover. So far I think we're off to a good start. But we still don't really know this character all that much. I'm sure that'll unfold over time also. If you're into the JSA, you'll probably like this book. If not . . I'd probably wait for a TPB. If you're interested.

R.E.B.E.L.S. Annual #1 - DC

This issue serves as the origin story of Starro the Conqueror. We've seen the Starro threat on Earth many times . . mostly in the Justice League books. But it's also shown up in Legion, LEGION and REBELS a few times. Now, with this story, we find out the true power behind the Starro, and the Motherstars. Basically, the story begins with what happening currently in the REBELS book, and then unwinds in reverse. As we go through each chapter, we learn a little more about the depth and meaning of this character. We find out that the end of the book that the story is being narrated by the motherstar that is attached to it's master's chest. We see the recent events of the Starro's conquering the Dominator homeworld which leads to Vril Dox enclosing half the sector in a force field. We then go back a bit to see Starro's conquering of Kalanor, Despero's homeworld. This ultimately leads to him killing Despero. This was done with the help of his first in command, Astrild. She is completely devoted to Starro, of her own volition, so then we see her origin story. Her power, and the planning of Starro's conquests is done by a group he has assembled called the High Vanguard. One of which is named Smite. We then learn his origin, and how he became to be part of his Vanguard. And finally we learn where Starro the Conqueror came from, the planet Hatorei, and how as a child, Cobi could resist the Motherstars and eventually became their master. But this is a story of irony and displaced virtue. 'My master seeks opponents who embody the highest virtue and the lowest depravity. He tests their morality to prove how empty such notions are in the face of overwhelming power. My master believes he does this with the goal that one day the universe will be of one mind: his. But as I told you, I have watched his story unfold from the start . . I have borne mute witness to all of his acts, and I tell you that Starro the Conqueror is not searching for victory. For deep within him dwells that time-lost boy from Hatorei who once knew love and hope and family. A boy who yearns for someone, anyone, to prove that heroes do exist and goodness counts for something in this cold, indifferent cosmos. Alas, the hideous strength of nine galaxies bolsters Starro, forever ensuring him victory . . denying him the peace of mind that he has imposed upon trillions, yet cannot find within himself.' Very interesting. Tony Bedard did a great job of stringing this story together. I like the way it all unfolded. This issue also contained many artists . . Claude St.Aubin, Karl Moline & Marn Pennington, Derec Donovan, and Kalman Adnrasofszky. I thought it was a great issue and provided us with the defining origin of this character. I wonder why they didn't do this in one of those Faces of Evil books? Anyways, great story . . and a great character.

Doom Patrol #3 - DC

Well . . Steven Dayton is back this issue. As you can tell by the cover. But his return is under less than ideal situations. Cliff, Rita and Larry are over in Europe confronting the 'black-hole' like entity that's revealed itself from under the guise of the super-collider experiment. It claims to be a scientist, and that scientific curiosity is one of it's main reasons to exist. The problem is . . it gathers information by assuming control of a nearby human and absorbing it's knowledge and memories. It then moves on to the next, when it feels it can no longer learn or experience any more from it's current host. But as it moves on to the next host, it leaves the current one little more than a pile of ash. When confronting this entity in Brandenburg, the Doom Patrol realizes that a simple taser can disrupt it's connection to it's host. It still leaves the connection as ash, but . . they can route it's ambitions temporarily. However, having used up all the human life in Brandenburg, they assume that it's heading towards the next congregation of hosts . . Cottbus, population 106,415. The real problem is, though . . that's only 125km from Berlin. Should it discover that information, and become more ambitious, a lot more people would be in jeopardy. They follow it to Cottbus, and while there . . while controlling 106,742 hosts . . it discovers an anomoly. 'A latent ability power talent . . ' . . a mutant. With no stress factor to incite it's evolution, it discovers a man with an ability that it's not experienced before. Apparently the host can do telekinetic projection via Kirlian aura. Basically, he can push an invisible force outwards from himself, which kind of looks like what the Invisible Woman does with the FF. The Chief, while observing through Cliff, is quick to take advantage of this situation. He has Steven take mental control of Rita. She then enlarges to the size needed to cover the exposed area of population and, I think, basically taser or emp everything. All the rest of the hosts lose their connection and turn to ash, and the one with the power puts a protective bubble around itself to ensure it's continued existence. Niles then informs him that he's been checkmated. 'Your drones have been neutralized, present company excepted. Your primary form is quite isolated, well removed from any potential host forms. And, unless I'm mistaken, the kirlian field surrounding this host has your quite contained. Have I missed anything?' So they're putting him in the helicopter and taking him back to the Chief. We still have a couple of problems here, though. Mostly in the form of Rita. She's not going to be happy about Steven's control of her, plus . . during the exchanged she shared his memories which include all the 'stalker-like' things that he's done to her by mental manipulation. Steven's character is changed this issue. Some of the assumptions and perceptions that we've previously had of him are challenged, by Niles. We learn that he's a whole lot more powerful than we ever really knew. But that all may be moot, because when Rita gets back, she's probably going to try to kill him. And it looks like they're going to have to deal with Blackest Night. This was another fantastic chapter in the opening of this book by Keith Giffen and Matthew Clark. I think Keith is the perfect person to take on the relaunch of these characters. I've said before that I thought Grant Morrison's version was the best, and I think Keith has the right frame-of-mind to mimic, without actually copying that series. Plus I think he's the only capable of coming up with 'far-out' enough ideas to keep this troupe in business. And I absolutely love Matthew's interpretation here. He's a fantastic artist. In the back-up, once again the Metal Men are brought to us by Keith, JM DeMatteis and Kevin Maquire. This is also the perfect team for the Metal Men. This issue focus' on Copper. Who? Copper. Exactly! And who knew Kevin could make a robot look so hot? The combination of these 2 stories, and 2 teams makes this the perfect book. It's fantastic, and I can't wait to read more.

Batman Confidential #34 - DC

This story is growing on me. When this arc first started I thought the Batman seemed like a fish out of water in Moscow. But now . . as he increases his attempts to terrorize the various kingpins and their crews are starting to show some results . . I feel like he's getting his tactical edge back, and is more in his element. To me, it still seems like the Bear, Fyodor, and the Moscow Police Chief, Lukzov, are the wild-cards. The Tsar supposedly has Lukzov in his pocket, but . . I think the more Lukzov sees Batman's efforts gaining ground, the more he realizes that the 'norm' that this city has been run under doesn't necessarily have to be it's future. In other words . . he's growing a pair. Meanwhile, I think Fyodor is having some similar revelations, but maybe not for the same reason. The Tsar has abducted Lukzov's wife and daughter, but I think that the Bear is seeing some of his lost innocence in the little girl. When it comes down to it, I don't think he's going to be able to hurt her and he's going to be left with no other option than to revolt. But . . we'll have to wait until next issue to see how that all plays out. Peter Milligan has done a great job expressing Batman's role and perception in this city over the course of the story. I also like the depth that he's brought to the other characters as they've evolved over the course of this adventure. Andy Clarke's crisp pencils are just icing on the cake. All in all, I think it's a great book. Also, that fantastic cover is by Francesco Mattina. One more issue to go, and then we'll see how this all wraps up.

Strange Adventures #8 - DC

I'll say this again . . for the last time . . I think Jim Starlin is a genius. I absolutely love the way he's playing these characters. Synnar's Aberrant Six are perfect for this book. Last issue Synnar retrieved his power back from the Weird, making him near omnipotent. The problem is, as he readily admits, in any cosmic drama there's factors at play that can't be controlled. Wild-cards if you will. Which is where the 6 come in. As Eye points out to him, 'You can most likely foresee what Thanagar's Grand Mors will have for breakfast tomorrow. But the action and intentions of the Aberrant Six members . . are a complete mystery to you.' This comes after Synnar begins to change them all. I believe he's changing them to his own needs. He starts with the most impulsive, Bizarro, and gives him intelligence. In Synnar's eyes, this will make him happy and whole. But will it really? It's also going to alienate him from his own race. He'll no longer have a home, or family. With Prince Gavyn he gives him the power he never received. He is now Fusion. He feels he's been tricked by Synnar. He thought that by bargaining with him he would undo the destruction of his race . . his planet, and home. But all Synnar does is change Gavyn. 'All that was lost to me is still gone. But now . . I do not care.' He next sets his sights on Comet. He uses some heavy-handed techniques to get him to bend to his will, but eventually . . 'YOU WIN! No more! Please! I'LL JOIN YOUR GANG!' But I'm not sure what he's done to comet. He and Adam will be joining the REBELS next week, so . . maybe we'll find out there if his powers or perceptions have changed. The Weird joins willingly. He knows that the chances of thwarting Synnar are negligible, so . . 'Why should I struggle against the inevitable? Besides . . I sense that this cosmic drama must play itself out." But I'm kind of wondering if that's how he really feels, or . . does he just now want Synnar mucking about in his brain. Which leaves Adam and Eye. It seems Eye has a past which she doesn't remember. Synnar has used her before and manipulated her into the wholesale slaughter of millions of innocents. This is a memory she seems to have suppressed. Until Synnar brings it to the surface. Which leads to the speech she made. She gives Comet a kiss, and says goodbye . . and then uses his power to commit suicide. However, Synnar says she's not completely gone. He gives Comet an orb which supposedly contains her essence. He tells Comet that he'll need it when she returns. Whatever that means. Anyways, so now . . without his Aberrant Six . . Synnar's plans cannot proceed. They aren't thwarted . . they're just stalled. He sends everyone back to where they belong, until the Six can become whole again. 'All has changed. But remains as it was.' Kind of a cryptic message there at the end. As I said, Comet and Adam will be joining the REBELS. The Weird is back on Earth. Prince Gavyn / Fusion should cause things to change a bit on New Rann. And who knows what kind of trouble this more intelligent Bizarro will get himself into. I think this was a fantastic cosmic drama, and I really enjoyed the story that Jim presented us with. It was fantastic. Scott McDaniel provided the art for the first couple pages . . the part where Synnar changes Bizarro. But the rest was provided by Jim and Al Milgrom. I'm kind of sad that this book is over. But . . hopefully it's just the next step in the evolution and story of these characters. I can't imagine that Jim's done with this story, by far. I'm just not sure where it'll reappear . . yet. But I can't wait.

Final Crisis Aftermath Run! #6 - DC

This issue wraps up the sad story of Mike Miller . . the Human Flame. Well . . maybe wrapping it up isn't the right way to think about it. This whole series, Mike's only goal had been to get enough power that he no longer has to run . . from anybody. He's been running his whole life, and he's tired of it. Anyways, last issue he came into contact with the hyper-griffin at STAR Labs and when John Stewart, Firestorm and Red Tornado try to apprehend him, he explodes into a nuclear blast. That's how last issue ended. This issue, the guys have to contain the blast. And then . . they have to try to contain Mike. Apparently the blast took away everything that was human about him and now he appears to be a being of energy and fire. The problem is . . he's got the same dumb intellect that he had before. As he goes on a rampage through town he's oblivious that it's his own heat and mass that's taking out buildings and roads and cars around him. Sure he's doing some destruction on his own. But most of it is peripheral simply from the proximity of his being. But he's still not satisfied. He's angry that the 'heroes' are still trying to take him down. So he grows . . in size and mass . . up to 200 feet. Up to the point where he can no longer control, or move his being . . and he's trapped. Red Tornado asks the question, 'He could change his size at will. Why didn't he just make himself smaller?' To which John replies, 'Honestly, I don't think it even ever occurred to him. All he ever talked about was getting more. Why would he ever consider going for less?' Basically they contain him . . like a nuclear reactor. So, although he's down and out for this series . . I don't think we've seen the last of this guy. I'm sure Prometheus or Black Mask or somebody will get ahold of him and try to use him to their advantage. But . . that's a story for another book. This book seemed to be mostly about turning Mike Miller into more than he was before. Not more intellectually, just . . more power. Matthew Sturges and Freddie Williams II again bring us this chapter of the book. I thought it was interesting. The ending really went the only way it could. But like I said. I don't think we've seen the last of the Human Flame.

Batman Unseen #1 - DC

Well . . we're off on another Batman adventure courtesy of Doug Moench and Kelley Jones. This year the mini-series is only 5 issues. It appears to be coming out twice-monthly so . . we'll have this one wrapped up before Christmas. Which is good. I liked Gotham After Midnight last year. But I still think 12 issue is much to long for a mini-series. We just lose to much momentum in the middle of the series, and it starts to drag. At least . . most of the time. Anyways, this time we go back to the time of Black Mask, and a underling that he's hired for his chemistry acumen, Dr Nigel Glass. Apparently this guy was fired from a rival gang, and the Black Mask quickly snatches him up. He's a research doctor, and he's trying to perfect . . 'Melanic masking and plasmic bleaching . . en route to the ultimate miracle of molecular translucence.' In other words . . he's trying to make himself invisible. I'm just wondering, why is it that every scientist that attempts to make himself invisible . . whether it be novel, or movie, or comic-book . . the scientist always seems to go mad? That seems to be Nigel's problem now. Rather than just turning invisible, he's giving himself treatments that are peeling away the layers of visibility one at a time. And as the layers of visibility disappear so to does his personality and charm. What little he had. On the final page of this issue he appears to have reached his goal . . complete invisibility. This issue seems to have served mainly as the set up for the villain of the story. Now that the good doctor has reached his goal, we should see next issue how he comes into conflict with the Batman. Doug and Kelley always seem to put out a good series. I'm sure this one will be right up there with the rest of them.

Justice League - Cry for Justice #4 - DC

I finally get around to reading this issue. It kills me when I see something this good sitting in my pile, but I have to wait to read it. Again, I have to say that I think James Robinson is doing an incredible job here. I especially liked his narrative at the back of the book where he's talking about Mikaal Tomas and his involvement with the Starman series. It was very informative. It appears that Mikaal will be taking on a bigger appearance in the DC Universe, and specifically the League, after this series. I think that's fantastic. Anyways, we start out with our group surviving the blast that was buried in Clay-face. Remember . . he was posing as Prometheus last issue? It seems that Freddy, with his wisdom of Solomon, is providing the greatest insight into this attack. He thinks that Prometheus is trying to get into their heads. Meanwhile Jay and M'Gann stop Brick from abducting some little girl for Prometheus. And Bill and Mikaal have caught up with Arak and Penny Dreadful in Paris. They've been chasing them down because of the killing of Bill's ape friends and Mikaal's lover Tony. I have to say . . I absolutely love the way that Mauro Cascioli draws this ape. It's freakin' fantastic. The lines on his face . . the dander of his fur . . this has got to be one of the best representations of an animal in all of comics. Period! I know! Brian Bolland drew some great animals on the covers of Animal Man. But . . I still hold that this is probably the best representation that I've ever seen. Agree with me or not . . it still looks incredible. What you see on the cover is just a hint at how good it looks on the inside panels. Sorry I'm going on and on, but Mauro deserves some serious credit for this. Anyways, Jay is running around the globe getting input from a lot of various heroes. He really seems to be concerned about what's happening in the country right now. But we don't hear the conversations, so I'm not sure what his specific concern is. However, upon returning home he finds Shade there. It appears Shade is also concerned about the present state of the country, as well as Opal City. He claims to have some answers, but . . we won't get into that conversation until next issue. Oh and I forgot to mention, for some reason . . Kara seems very enamored with Freddy this issue. I guess we'll have to wait and see where that goes. And surprise, or not . . Ollie and Ray seem to be coming at odds about the methods they've been employing. Believe it or not, Ollie thinks Ray is being overly ambitious in his techniques. Overall I thought it was a fantastic issue. I think it's great that we're exploring these new facets of the various characters depicted here. I'd have to say, Mikaal and Bill are probably my favorite 2 right now. Partly because of the art, but also because of how much James is putting into their characters. If you aren't reading this . . you're really missing something.

Batman Annual #27 - DC

As we get ready for the Azrael series that is being prepared, it appears that this Annual, plus next weeks Detective are serving as an introduction to his presence in Gotham. This Azrael is ex-cop Michael Lane, and has been given power and purpose by the Order of Purity. To fulfill that, he's wearing the suit of sorrows and has been given 2 swords. The Sword of Salvation was given to him by the Order. While the Sword of Sin . . he took that sword from Talia in their last meeting. Anyways, now he's tracking Amon. He's working for a cult called La Saligia. They've got him looking for seven keys. Seven keys that open one lock. Apparently it's a lock that contains a secret. A secret that could . .'Adversely affect the church. By that I mean . . completely destroy the institution of the church and ignite a series of religious wars that could consume the planet.' Ok! I think that's a serious enough threat. Anyways, Amon is a man, but . . he looks like a demon from Goetia. 'Amon is a seventh spirit, a marquis in hell who wields great power. "He appeareth like a wolf with a serpents taile. He reconcileth controversies between friends and foes." He represents wrath. One of mans seven deadly sins.' Which goes with what we find out on the last page of the issue. Amon has abducted the children of some wealthy people. Batman intercepted his last though by replacing the boy with Damian. But on the final page Amon has them all strapped down on separate tables in a circle. He calls them their blood bounty. 'So that all man's sins can be absolved . . by God's decree, the eighth deadly sin must be restored . . and the children of the seven shrouders of sin must die!' It looks like Damian is in it neck deep this time. This issue is brought to us by Fabian Nicieza and J Calafiore. Both do a terrific job. The second part of this story, in Detective Annual #11 will be brought to us also by Fabian with the art of Tom Mandrake. And then the following week starts Azrael's new series with Fabian again continuing on with the scripts, and Ramon Bachs on the art. Which means of course that Red Robin will be getting a new artist also. So if you want to get in on this story with Azrael, from the beginning . . I suggest you pick up these 2 Annuals. Plus, don't forget about his back story that appeared in Battle for the Cowl: Azrael - Death's Dark Knight. That was a 3 issue mini. Also by Fabian and Frazer Irving. Who will be providing the covers for the continuing series. See how it's all connected? Are you excited yet?

Superman: World of New Krypton #8 - DC

This was a good issue. I really liked it. For some reason the Thanagarians have come into the space of New Krypton. I think it had something to do with the moon of Jupiter that the Kryptonians were dragging back to New Krypton. Anyways, as usual, the Thanagarians assume that the Kryptonian armada is an invasion fleet. I guess they didn't realize that the ships were anchored to the moon and trying to haul it across space. Anyways, hostilities escalate and the Thanagarians shoot down the Kryptonian ship that was transporting the moon. Now it's reeling out of control and heading straight towards New Krypton. The funny part was, the Thanagarian leader was ready to lay down her life and die in battle as she thought her ship was about to explode. But just before the core overloads . . Kal-El and some other Kryptonians show up and save her ship. But they can't stick around to explain because they have more pressing matters that require their attention . . the stopping of a planet shattering moon. Anyways, long story short, the mass and momentum of the moon is almost to much for even the Kryptonians to handle. That is until the Thanagarians jump in with their Nth metal to help save the day. The problem was, the Thanagarians were basing their assumptions on their encounters with Kryptonians in the past. There's a long dark history between these 2 races. But, having seen the errors of their ways . . on both sides . . they've decided to head into discussion and try to reach an accord between their 2 races. However, it may be to late as at the end of the series the diplomatic speeches are interrupted by a being from yet another planet. Full of cock and swagger, Jemm comes into the room. 'You blunder around this system as if you own it . . but others were here first. I am Jemm. And I speak for my people, and on their behalf I ask you . . where is your courtesy now?' Remember Jemm: Son of Saturn, from way back when? Man that's been a while . . 1984. Yes he's popped up in some other space series since, but for the most part we haven't really seen much of this guy since the 12 issue mini-series that was his introduction. Apparently he's not happy with the Kryptonians stealing one of their moons. Like I said, I thought this was a great issue. I really like the way that Greg Rucka and James Robinson handled these 2 different races. I especially liked how a mutual misunderstanding almost resulted in their mutual destruction. I have to admit, so far this series has been the exception to my 12 issue maxi-series rule. This one has stayed relative and pertinent while expanding upon the story of this race and their planet. Not to mention Kal-El's involvement in it. I also think that Pete Woods and Ron Randall are doing a phenomenal job with the art. Not to mention the Gary Frank and Joe Kubert covers. All in all I'm very impressed with this book. I know that all of this will become part of Superman's cast of characters when this is all over, but . . I'm really hoping that they can do something to show more about this planet and it's people. Maybe a third story in Adventure each month. It should be interesting to see what the future holds.

Batman and Robin #5 - DC

I thought I'd be disappointed when Frank Quitely wasn't the artist for this arc. But . . Phillip Tan is doing an incredible job. This arc seems a little more down to Earth than the first one . . with the circus, and Pyg. But it's still connected. One of the little girls that Batman & Robin were supposed to save came into the possession of the Red Hood, Jason Todd. If I had one complaint about Phillip's work it would be that Jason doesn't really look like the Jason that we've come to know. First of all, it appears that his hair is actually red. He claims that Bruce made him dye it so that when he was Robin he would look more like the original. I saw the Jason Todd story-line roll out right from the beginning . . when Batman caught him trying to steal the tires off the Bat-mobile. But I don't remember anywhere in there where his hair was any color other than black. Anyways, we also find out this issue that Jason was resuscitated with the help of a Lazarus pit. Obviously, he didn't fall into the pit on his own . . being dead and all . . so the question is . . who put him in there? Was it Ra's? Was it Bruce? Whatever the case, that appears to be a question for another day. All we know is that the exposure to the pit left him with a white streak in his hair. Anyways, the Red Hood and Scarlet, Sasha, are running around town killing all types of criminals. But Sasha brings up a good point to Jason, 'You don't think there will be reprisals for what we just did? Batman has the Joker and Catwoman. What happens when we make enemies, too?' Which segues right into El Penitente and his plans for Gotham. He can't let this new Red Hood get in his way, his plans, and his drug deals . . so he's brought in the Flamingo. We saw his plane approaching Gotham last issue. Which Commissioner Gordon has found after it's landed. 'He killed the Pilot . . the crew . . and . . those girls.' Apparently he had a plane load of girls that he attracted by telling them they were going to be in a video. Apparently he killed them one by one, and then skinned their faces and ate them. Also Sasha seems to know a little about him from Russia . . from the hushed conversations of her father. 'A good man who fought the mob until they cut his brain apart and took away everything that was human. They made him kill his wife, his children, and everything and everyone he ever loved. And on that day, Eduardo Flamingo became the King of Killers. The Ace of Assassins. On that day, Flamingo became death.' Anyways, this issue ends with the Red Hood and Scarlet retreating down an alley. But apparently they were followed. Jason gets shot twice. Once . . square in the face. I thought Grant Morrison did a fantastic job with this book. I like the way he's handling these characters. And I really like the attempt that Dick is making to get along with, and include Damian. At times . . it's hilarious. The dialogue between them is fantastic. It appears that his book isn't going over as big as I, or DC, thought it would. But . . I say . . give it a chance . . and time. Everybody wasn't thrilled with Grant's run on Batman right off the bat either, but . . look how great that turned out. Let him get some story-arcs in place, and the foundation built. He handles a book much like Mark Millar does. There's lots of various story-arcs, but . . later on down the line, when you look back, you start to see how everything is all connected. And how everything builds on each other. Eventually I think this book is going to be a classic. But . . right now . . it's a classic in the making. I say . . give it a shot. Personally, I think it's worth it.

Smallville - Metallo - Season 9 Episode 2 - WB

Well I told you last episode . . it wasn't going to take long for John Corben to become Metallo. I kind of questioned their choice of Brian Austin Green to play this character, but . . he did pull off a pretty good role in Terminator: the Sarah Conner Chronicles. My problem is, I still see him as the geeky kid on 90210 . . the original series. Anyways, this episode he wakes up to find that he's been experimented on, and appears to be more machine than man now. But he has no idea who's granted him this gift. Later on, when Tess is examining some of the hardware, we find out that most of it is Luthor Corp tech. But 'Nobody ever had the vision to use these various parts together . . like this . . before.' So I'm thinking . . who did it is just as important as what was done. But I'm sure we won't find that out for quite a while. Anyways, the Kryptonite seems to be amping up his adrenaline, so . . he's not thinking or acting right. But it's Metallo. We knew that was going to happen. We do find out though that his grief with the Red & Blue Blur is that he blames him for his sister, Becca's death. Recently, when a prison bus flipped over, Clark rushed in to save the passengers. Unfortunately, one of them escaped during the confusion. He then went on to murder John's sister. Metallo sees Clark's face, when they're fighting up on the roof, but . . John Corben never met Clark Kent so he doesn't make the connection. Of course it takes Lois being in jeopardy before Clark even realizes that this guy is a threat. Lois seems to be settling into her investigative journalist role more this season. I think it's only a matter of time before she starts questioning Clark's various excuses. And, I think she's going to start putting things together. Clark hasn't started wearing his spectacles yet, and he still can't fly. But he is running around all over town trying to help in as many situations as he can. Chloe's got the watchtower up and running. I'm not sure why Clark hasn't enlisted her aid in helping him find the situations that need his help. It would definitely focus his effort. Anyways, Tess is still looking for the Kryptonians. Her partner seems to have found a location in Metropolis where he thinks they are. He's also found Kryptonian symbols all over the world that are connected to all of this. The most important one though is the Superman symbol, with a naked Clark laying in the middle of it. Fortunately it's by satellite though, so they can tell it's a man, but they can't make out the face. Anyways, in the end, Clark beats Metallo with a short range EMP burst. And when he's down . . he takes out his heart. Then somehow, all the parts, and Metallo, end up in Tess' possession. But he can't be considered dead because he's more man than machine . .'He's just been switched off.' I'm glad they're taking it slow with Lois & Clark. If not, it would seem to much like that show for my taste. At the time, I really liked Lois & Clark. But if you look back at it now . . it really seems dated . . and corny. Anyways, this season seems to be the season to introduce more Superman villains. Toyman comes onto the scene next episode. The thing I like about this show is that, to me, it seems more like a night-time soap than necessarily a super-hero show. Don't get me wrong. I love it that it's a show about Superman / Clark Kent. But . . it also seems like a soap, just with some rather extreme situations. It's easily one of my favorite shows on TV.